Visual Arts: Illustration, Mixed Media, Painting, Photography, Printmaking, Visual Arts Instructor, Works on paper; Painting, drawing and pro-photography, sci-fi and how-tos on art and pro-photography and more
Nobody Can Tell Me What To Do, Not Even Me!
There are neither good nor bad subjects.
From the point of view of pure Art,
you could almost establish it as an axiom that the subject is irrelevant,
style itself being an absolute manner of seeing things.
Of all lies, art is the least untrue.
Anything becomes interesting if you look at it long enough.
My name is Gersh and I’m a self-taught well-published Professional Photographer, Artist, Sci-fi & How-To Professional Photography & How-To Art Writer & Designer.
I started drawing and painting when I was 3 and the first time I had my photography work published was when I was a very young child.
I have never gone to school to study art, writing, design and/or photography, nor have I had anyone teaching me any of the said disciplines.
My art work comprises of a very large collection of black and white and color images which have been created by me in various styles, some of which are surrealism, realism, impressionism and other well-known artistic expressions, in addition to those which have been pioneered by me.
What sets me apart from all other artists, is not only a distinct style of my work, but also the fact that I work in almost each and every medium and genre and pioneer my own genres.
A large portion of my work are storyboards and illustration for books written by me, nevertheless there are also images which are not a part of any project.
They say that every image is worth a thousand words and that every image is a story. My art speaks for itself and I’m not here to describe it, because if my images couldn’t speak for themselves and could not tell stories, they wouldn’t be worth of even looking at them, needless speaking of being published and admired by people.
My art is not only a product of my knowledge, imagination, but is also a result of experiences achieved through the exploration of various mediums. From pen and Indian ink, charcoal, markers, oil, graphite, acrylics to less known materials, some of which have been created by me. Despite what has been said, I do not stick with any particular style, but on contrary remain a free explorer of various mediums and styles, which leaves me free not to be told what to do, not even by me, but to remain free in my exploration of the ways and choices to achieve an absolute paramount in my artistic-expression!
Visual Arts: Ceramics, Sculpture
“Working in multiples is a constant theme in my art. Most recently I have focused on ceramic wall pieces, as paintings in clay, often presented in groupings or grids. These pieces contain imagery that may represent influences such as architectural lines, primitive textiles, carvings reminiscent of wood block prints, or scribbles that imply sound waves or writing. Although clay is the most prominent medium in my work, I enjoy using other materials such as handmade paper, sand, stone, wood, and more to create installations and assemblages. I take pleasure in creating a contemporary dialogue through the most basic materials. I create art that promotes aesthetic universal language, with open-ended interpretation for all viewers.” – Zech
Visual Arts: Mixed Media, Painting
My artwork is non-objective and non-figurative abstract paintings. Acrylic paintings on canvas with some mixed media.
Jason’s style is one of “physicality” along the likes of Jackson Pollock and the abstract expressionists of the 1950’s. His work is collected everywhere from corporate collections to homes throughout the United States. His work has also been showcased in art galleries in New York, Los Angeles, Miami, and throughout the Midwest. His recent work, both big and bold, has been inspired by the vivid color, texture, and beauty of Loreto, The Baja where from 2007 until 2010 Jason had a studio/gallery. Currently, Jason creates his unique paintings in his studio in Indianapolis, Indiana.
Sandra K. Ziebold
Visual Arts: Graphic Arts, Illustration, Mixed Media, Painting, Photography, Works on paper
I believe that art, creativity and motivation are all about feelings and emotions. I am an artist that strives in the everyday to keep things simple and spread positivity. I look for the peace and zen in the hustle and bustle, excitement and wonders of life and nature around us. I draw, paint, photograph, motivate, write, design and mix together artistic elements and media of all types to evoke fine art, literary and graphic design works that convey what I feel and visualize. Positive, creative energy is infectious…Other artists inspire me; I hope that I inspire other artists too! Inspirational ‘props’ to Russian street artist Pavel Puhov for his work entitled, Eyeglasses. LOVE IT!
Performing Arts: Music
Greg currently performs solo, as a duo with Kriss Luckett and with the group the Spud Puppies. Greg is available to perform in a variety of venues in central Indiana.
Visual Arts: Crafts, Functional and/or Decorative, Illustration, Mixed Media, Murals, Painting, Works on paper; Drawing
Works mainly in 2D using varieties of mediums. Currently exploring abstract fluid painting.
focuses include: black & white portraiture, ink, scratchboard, fluid acrylics
Visual Arts: Constructions/Collage, Mixed Media, New Media/Technology, Painting, Sculpture
My professional practice consists of three major bodies of work. Each body has different subjects but they all use the medium of black paint. My ‘Finished Line’ and Flag paintings on paper are all constructed with drywall tape and black paint. The act of seeing through black has both historical precedents and current relationships to technology. My black reflective paintings entertain this ability to “see” or possess vision by reflecting the surrounding environment from their high gloss surfaces. I created a technique that achieves a reflective surface through mixing and pouring paint in a technically incorrect manner. This process depends on many variables and forces me to work in an experimental way that influences the work to change.
In my current attempt to make my own paint, I have developed ink from black beans. I create this pigment by soaking heirloom black beans in effect obtaining a spectrum of violet, indigo, green, and black. I soak the beans from hours in warm water to leaving the bean juice in my refrigerator for a year in an effort to create a black pigment. I have been studying black beans in their dried, soaked and cooked forms. These investigations are leading me to my proposed project of light harvesting black bean solar paintings. Making art began with film photography as a young adult. I found it wild and experimental to expose my images in the darkroom and in the sun to find the images. When it came time to study and be part of an artist community, studying blacksmithing and working for metal artists in New Mexico enchanted me.
Eventually I moved into installation and performance art while studying art, metalsmithing, and architecture at Cranbrook Academy of Art, a design focused school. In my early professional days I made commissioned metal pieces for clients but left it all to make paintings. I eventually ended up showing paintings and videos in my first solo show at the Indianapolis Museum of Art. With this exhibition I dove into a world of painting. My reflective paintings were recently selected to be in the New American Paintings survey of contemporary painting at the Elmhurst Museum of art in Illinois. After exhibiting this work I wanted to engage the audience in less of a psychological manner and thus a period of questioning followed. I was able to study in more depth my interest in black paint through the Arts Council Creative Renewal Arts Fellowship. Through this, experimenting with black beans and the resulting ink impacted my direction with black materials. My first public art commission soon followed and I switched gears into working large scale and towards a different audience. I absolutely loved how many people end up seeing and engaging in the art. The work was harking back to my design art education in conjunction to successfully being readily available for the public to understand. From this project I realized having this immediacy or connection to the viewer is what I desire to have in my future work.
MFA, Cranbrook Academy of Art, Bloomfield Hills, Michigan
BFA, College of Santa Fe, Santa Fe, New Mexico
Reflection and exploration was at the heart of Susan’s renewal process. The fellowship gave her the opportunity to attend writing workshops focused on her journey from journal writing to memoir. She found her creativity flourished during small shorter wriitng classes and retreats. Susan also found that, “the value of the Fellowship lies not only in the individual achievements of the participants but also in the collective conscience of a community where creativity is nourished.” The future holds more workshops and retreats as Susan continues down her renewal road. She plans to continue teaching, mentoring, and guiding her students, while writing for personal enjoyment.
Visual Arts: Graphic Arts, Illustration, Mixed Media, Painting, Works on paper; Digital Art
Beth Zyglowicz is a professional artist and illustrator based in Indianapolis. She is the owner of Space Turtle Studios. At Space Turtle, Beth utilizes her talents in both digital and traditional media to create some truly out of this world art. Wildlife, clockworks, fantasy creatures and beautiful atmospheric starscapes come together to form her signature technicolor style.She uses her talents in both digital and traditional media to create sci-fi and fantasy-inspired paintings and illustrations. Her most recent publications include the book ‘The Lap-Reluctant Cat’, written by Stephanie Bouchard (2013), and the online sci-fi game Weirspace.com. You can find more of her work online at www.spaceturtlestudios.com
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