Visual Arts: Sculpture
“I have developed a writing practice that has culminated in a piece titled “word picture.” Each picture is an hour long film of a writing session projected via LCD onto a plain surface. Text is generated on the surface as though one were observing a writer from over his shoulder, complete with mistakes, corrections, cut, pastes, and pauses. Some sessions include an electronic clock enhancing the sense of passage of time. The piece places the viewer into the artist’s studio in ‘real time.'”
Visual Arts: Photography
Through his fine art photography, Archbold captures beautiful and ethereal natural scenes as well as gritty and industrial cityscapes.
Performing Arts: Music; Composer, pianist, classical, jazz, chamber music
Archibald writes and performs improv-based, jazz-infused compositions for the piano. In addition, she writes chamber music, and composes for film, television, and theater.
Visual Arts: Mixed Media, Painting, Photography, Sculpture, Visual Arts Instructor, Works on paper
Visual Arts: Mixed Media, Painting, Photography, Sculpture
Multi Media African American Artist
Visual Arts: Architectural Illustration
When subject matter is no longer important, the artist can henceforth express what is essential to him. Completely free from conforming to external standards, he uses his senses and sensitivity and his preferred medium in a singular portrayal of self- identification.
Free – flowing energies from within demand expressive form – they in turn feed my senses. Thus my subjects do not consist of structured content. I relate to the suggestion of restlessness, subtle, yet ongoing motion without regard for time. I’m struck by elusive textures, atmospheric qualities, dynamic shapes, soft contours or whatever elicits a response from the “eye” of my mind. All of these keep goading me to create the unexpected – regardless of technique. Clearly, the emergence of the unseen springsforth only from within.
To validate artistically my departure from objective imagery, I have to interweave the pattern of shapes, edges and planes with the color “echoes” of lights and darks, accentuating underlying rhythms and vibrations. The improvisational process produces a subject that is inferred rather than a visually portrayed content.
Abstraction is a mystery . . . breaking away from the traditional, it at times resembles some of the bad dreams one has no desire to speak of or the nonsensical play of lights and forms. But to be a successful effort, it has to direct the aimless eye.
For the most part I am self-taught in my quest for visual expression and communication, but this to me is no rattling negative. I rely heavily on unmuffled curiosity, evading aesthetic rules and formulae yet inventive of the unfamiliar. The answers are with me right now but I don’t know the questions!
Many times I had to balance my interest and time between what is a “job” and what I felt was my “artistic passion.” Continually I became more sensitively aware of my own intense need to create and express… to fill a deep void amidst other daily strains.
Time came when for me, free artistic expression fused with spiritual fulfillment. It allowed me to come to grips with everything – for in no other way can I paint unless I’m spiritually and emotionally involved.
Probably because of both, I have consciously erased the picturesque but enhanced my perception of my painting’s “heartbeat.” Thanks to my Unseen Mentor, when I paint . . . I cannot be afraid.
With scientific zeal, the artist must unrelentingly fathom the unknown, reveal the unseen, in the search for truth . . . All for His glory!
Performing Arts: Music
Artis is a performer, composer, and producer of drum music. In addition, he crafts and sells drums and teaches African percussion.
Anthony 'Tony' Artis
Performing Arts: Music
Anthony J. ‘Tony’ Artis, aka ‘Baba Amoah’ (AH-moe-wah) is a native of Kokomo, Indiana, and has lived in Indianapolis, Indiana, since 1978. He began studying trumpet at age 12, bass guitar at age 14 and African percussion in 1990. He has studied in various cities in the U.S., Ghana, West Africa and Cuba. Tony received the Indianapolis Arts Council’s Creative Renewal Fellowship in 1999 and 2007 and an Individual Artist Grant from the Indiana Arts Commission in 2001. He is an African drummaker, owner/operator of Amoah’s African Drum Works and Coal Bin Productions. Artis loves teaching children and is a teaching artist with Arts for Learning (affiliate of Young Audiences of Indiana) and a Master Artist with Art Mix (formerly VSA Arts of Indiana – enabling all people to experience art). He is the founder and artistic director of Ori Afro Jazz Ensemble and co-founder of Sancocho Music and Dance Collage. Tony began his career as a full time musician in 2000, after retiring from his 25 year practice as an architect (Bach. Environmental Design, Miami Univ. School of Architecture, Oxford, OH) and semi-professional musician. He likes all genres of music as long as it is performed to the best of the artists’ ability.
Performing Arts: Music, Vocal
Bashiri Asad has been on the local music scene for only a short while. In this time, his gift has touched the lives of many. His blend of jazz, soul, and funk music is fast becoming a regular practice among the local music elite. Combining his love and respect for the craft, Bashiri continues to make a name for himself as one of the premiere vocalist in the Circle City.
Literary Arts; Performing Arts: Storytelling
Deborah Asante is Founder and Artistic Director of the Asante Children’s Theatre. She has dedicated her life to teaching and sharing the value of culture and heritage through the performing arts. Deborah is an Actress, Writer, Director and award winning Storyteller. Her directing credits include Producing Director of the Inner City Cultural Center at San Francisco Reader’s Theatre, Director of the San Francisco Children’s Radio Theatre, Director and Producer of the Bay Area’s Production of “Blue Jazz Cabaret”. She has also directed the Touring Productions for Freetown Village and “Black Nativity” for the Walker Theatre. As a writer and director, she is responsible for several of ACT’s biggest hits; “Motown Story”, “The Middle Passage” (with Crystal V. Rhodes), “Zora Tales”, “The Step And Stand Tall Blues” and her favorite “Abena and the Python”.
Literary Arts; Performing Arts: Actor/Actress, Music
Ben Asaykwee is an actor/composer/playwright whose favorite past-time is making people laugh.
Literary Arts; Performing Arts: Music
Athanasius Blue is a cloud that forms from the exhaled conversations of two lovers on a chilled night beneathe September stars. Movie star good looks Devon Rogers and his poet princess Julianna Gold joined hands on her home’s porch in 2012’s early summer heat. Rogers needed a singer and Gold had a voice, but instrumentally she was crippled beyond her own esophagus. The two united and began a love story reminiscent of everyone’s favorite grandparents. Sweet words and even sweeter actions now work behind the scenes to produce music that belays childhood wisdom and reverie to adult circumstance.
Equipped with a fervid itch to create, Athanasius Blue submits poised vocals and enchanting guitar work to their latest effort, the album “Elaine Caudate,” in which Caudate, a teenaged Mother Nature, saddened from her unrequited love for a king, turns to prescription pills as refuge. Her habit becomes addiction as she arranges for the local sheriff to feed her the numbing medicine continuously through the town’s water supply. The sheriff’s requested poisoning of the big water tower leads to interesting changes for both animals and people alike.
Visual Arts: Illustration, Painting, Works on paper
Visual Arts: Functional and/or Decorative, Illustration, Mixed Media, Murals, Painting, Photography
Current undergrad at Ball State University studying painting.
Visual Arts: Architectural Illustration, Graphic Arts, Illustration, Media and Visual Communications, Mixed Media, Murals, Painting, Photography, Printmaking, Works on paper
Drew Avery is an up and coming artist, currently working on an informatics degree while residing in the Saint Joseph neighborhood in downtown Indianapolis. Utilizing a decisively self-taught method of illustration, drawing upon architectural paradigms unique to the city and Mile Square heritage, Avery creates a very individual medium focused on the abstractions and splendor of our architectural heritage as citizens of Indianapolis and the World.
The aforementioned style exhibits highly patterned, meticulous ink work, epitomized in the Cityshapes series. These decisively analog methods of illustration are intentional given the highly digital context of our world. The goal being to simply steward and foster conversation about architectural heritage, the artist’s role in the community and increase public access to the greater conversation regarding land-use policy and urban planning.
Visual Arts: Photography
My documentary of the local art scene has turned into a series of art about art. I enjoy the energy that openings and installations generate, and I strive to capture that as an image.
I have been documenting the Indy Fringe Theater Festival.
I also use my architectural documentary style to create Amusing Art Magnets.
Visual Arts: Graphic Arts, Painting
“‘Kaleidoscope’ refers to my style and creative process. I have created the Kaleidoscope series: Dot Series, Ancestral Inspiration, Pelal Series; Impressionist Touch in Movement, Duo Trio- series, Forever Bond, Freedom Series, Expression of Pure Energy, Sophisticated Series, Stones and Beads on Stage, Metal Nix Series, Game with Stones and Metal. The two links between the series are: 1 Palette of Bright Colors and 2 Logic where square, dots, and lines respond to each other like a mathematical process.” Martine Bachelart
Visual Arts: Mixed Media, Painting
I am inspired by Eastern and Western cultures, and as a scientist, I take a trial and error approach to making art. I appreciate the beauty of lines, shapes, colors, and space in nature and the man-made world. My art is unique because of my diverse influences and my interest in time, color, and methodology. My work explores organic, deeply textured, and delicate beauty. My art is characterized by linear rhythm, dynamic movement, and varied materials that, along with vibrant colors, create bold compositions.
I also like to incorporate a variety of paper and sewing techniques into my paintings, creating a highly textured mixed media work. I work in acrylic, oil, watercolor, collage, mixed media, drawing, ceramics, jewelry, textiles, sewing, crochet, and felting.
Carol U. Baker
Performing Arts: Music
As an arts education and non-profit management specialist, Carol Baker enjoys strengthening communities through supporting and cultivating meaningful civic and arts education activities. Having served as director of education for Indianapolis Symphony, Carmel Center for the Performing Arts and Indianapolis Opera, Ms. Baker has also served as a program, board, and grants consultant for organizations like Actors Theatre of Indiana, Hamilton County CVB, Ronen Chamber Ensemble, VSA Indiana and 100 Black Men of Indy.
Ms. Baker holds a MPA from IUPUI School of Public and Environmental Affairs and a Bachelor of Music Education from University of Louisville. In addition, Ms. Baker has completed courses in Aesthetic Education through Lincoln Center Institute and early childhood music from John Feierabend, creator of the First Steps in Music program. In 2006, Ms. Baker received an Arts Council Creative Renewal Fellowship.
Visual Arts: Sculpture
Fabrication is the method that best describs my making of sculpture. I combine and build elements into three-dimensional objects and somtimes installations. Installations are built in an environment that surrounds and engages the viewer’s physical space.
Visual Arts: Sculpture
As an artist I enjoy creating both decorative and functional sculptural pieces from a range of materials including: steel, bronze, iron, wood, glass and stone. I often work with recycled materials giving new life, purpose and beauty to things others would consider trash. Basically, I work to eat and create to live. I don’t look for a deep meaning in my pieces. Instead I want them to be fun and pleasing to look at.
Visual Arts: Photography
I want to evoke emotion from my photography. My goal is to make you pause, and say…”hmmm.” I want you to question the ordinary, the normal, the usual. Do you see the same thing as the next person?
Point of Interest: You sense the emptiness, but you feel slightly anxious. Curious about who used to live there. Or visit. What used to go on or still takes place there? You are a little scared, slightly spooked – all the while at peace…
…and then you hurry back to your vehicle, to a safer-feeling place.
Person: You wonder what he is thinking, feeling or looking at. Who loves him? Who does he love? Is he trying to find someone or someplace? Can you help? Should you even offer? Do they even want your assistance or pity…
…and then your cell phone rings and you go about your business.
Object: You notice a single glove, shoe or $20 bill just lying there. You wonder how it got there, who lost it, or was it put there on purpose? If lost, does the person realize it’s gone? Will they come back for it, or are they watching you to see if you will pick it up…
…and then you shrug your shoulders and continue on your personal mission.
Visual Arts: Constructions/Collage, Mixed Media, Painting, Photography, Sculpture, Works on paper
Gretchen 'Copper' Banning
Performing Arts: Music; Visual Arts: Constructions/Collage, Functional and/or Decorative, Mixed Media, Photography, Sculpture, Textiles
My artist name is Copper. I chose this name only because I was using it as an 'alias' when I was hosting goth parties in the 90s. That is when I started drawing and painting. I signed those works Copper and so I have kept it even though it confuses people. I am also a DJ and go by the name Copper Top, which is another story for another day.
I am not a trained artist. My degree was in political science and history. I never even considered art until one day I decided in the 1990s I decided to draw a picture and showed it to my boyfriend. He said to 'give it up'. I hate those words so I kept going anyway. I continued drawing and eventually I moved into collage and painting. By the late 90s I was producing works which incorporated many styles and mediums. I had several small shows in the city in the early 2000's including The Bungalow in Broad Ripple and many coffee shops in the city.
In 2002 I decided to leave behind my art to pursuing DJing as my main creative outlet. I decided that someday, when I didn't want to DJ as much, I would come back to my art. I DJ'd all over the country and the world between 2002 and 2012. I released 6 licensed CDs which were distributed globally. All of this was done on small Indie labels here and in Germany. When I spin now from time to time I play a mix of industrial, psy trance, dark house, and techno.
In January 2012 I began to become serious about art again. I brought to it a new confidence in making my own rules. I was also deeply affected by 'The Occupy Movement'. I was an activist in my college days and worked on many humanitarian causes. I studied political economics and have always leaned to the left, although my current convictions have evolved since those days. I began to marry my concern for global political and environmental crises to my expression through art. I recently published a piece of prose in the Canadian art publication 'Adbusters' and strongly support everything that periodical hopes to accomplish for a better global future.
I also very much enjoy creating 'decorative art'. I do this to distract from my gloomy side. I love vintage kitsch and moreover mxing it with other surreal 'childish' decorative objects. I love making diorama. I love spanish and latino style art and am strongly influenced by it. I also enjoy completely remaking large objects like furniture. I have dabbled in painting, drawing, photography, collage, assemblage, sculpture. I hate making anything more than once. I constantly am looking for some new idea to bring to my art.
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