Courtland Blade

Courtland Blade
    Website
/
    Facebook
/

  

 

 

In this current age of consumerism and corporation, there exist places that are not concerned with identity. They are neither relational nor historical in the same traditional sense that they have been in the past. These “non-places” are areas of transience that are not significant enough to be regarded as a place. My current body of work dwells within these benign areas of non-place. This series of paintings captures specific moments of isolation within airports, supermarkets, new

View more

MORE ABOUT THIS ARTIST

More Info

About My Work:

In this current age of consumerism and corporation, there exist places that are not concerned with identity. They are neither relational nor historical in the same traditional sense that they have been in the past. These “non-places” are areas of transience that are not significant enough to be regarded as a place. My current body of work dwells within these benign areas of non-place. This series of paintings captures specific moments of isolation within airports, supermarkets, new housing developments, subways, and hotels. They exhibit the presence of modernity and the absence of humanity during periods when commercial activity has ceased and places are now vacant.

 To translate the ideas of non-place, modernity and isolation into the visual quality of my work, I incorporate crisp, high-definition, contrasting color and the strong presence of light. I reference these cinematic elements to embody ideas of stark, impersonal space. Films such as Brad Anderson’s The Machinist, Zack Synder’s 300 and Dr. Mark Romanck’s One Hour Photo influence my choices of lighting, volume and perspective. Like these films, my paintings seek to establish a sense of uneasiness, dislocation and foreboding for the viewer. Depictions of low-ceilings, long hallways and dead ends characterize the lack of hope and the abundant nature of capitalism.

 

Pricing Information:

Original Paintings $40-$4000

Avalable Fine art Prints $200- $545

Education:

 

M.F.A  2011  Tufts University/ The School and Museum of Fine Arts Boston

B.F.A 2008 Indiana State University

A.S   2006  Vincennes University

Affiliations:

The National Scholars honor Society

IDADA Member

ArtsIlliana

CAA

Awards:

2014     Honorable Mention, Art From the Heartland Biannual Exhibition, Indianapolis Art Center, Indianapolis IN, Juror Sarah Urist Green.

2013     Alliance of the Swope Award, 69th Annual Wabash Juried Exhibition, Sheldon Swope Art Museum, Juror Kris Ercums

COMMENTS

Leave a comment

Your email address will not be published. Required fields are marked *

You may use these HTML tags and attributes: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>

PARTNERS

Artsopolis Network Members: Akron OH | Albuquerque NM | Austin TX | Birmingham AL | Boston MA | Cape Cod MA | Charlotte NC | Cincinnati OH | Colorado Springs CO | Columbia SC | Flagstaff AZ | Flint MI | Fort Lauderdale FL | Houston TX | Indianapolis IN | Kalamazoo MI | Macon GA | Milwaukee WI | Monterey Bay CA | Montgomery County MD | Napa Valley CA | Nashville TN | Orange County CA | Orlando FL | Palm Beach County FL | Panama City FL | Providence RI | Quito, Ecuador | Rapid City SD | Richardson TX | Riverside CA | Sacramento CA | San Antonio TX | San Jose CA | St. Cloud MN | St. Croix Valley MN/WI | St. Johns County FL | Stillwater MN | Tallahassee FL | Tampa Bay FL | Utah | Ventura CA | York County PA

 

Disclaimer: The Arts Council of Indianapolis provides this database and website as a service to artists, arts organizations, and consumers alike. All information contained within the database and website was provided by the artists or arts organizations. No adjudication or selection process was used to develop this site or the artists and organizations featured. While the Arts Council of Indianapolis makes every effort to present accurate and reliable information on this site, it does not endorse, approve, or certify such information, nor does it guarantee the accuracy, completeness, efficacy, timeliness, or correct sequencing of such information.