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Carmel Community Players is pleased to announce open auditions for: “Driving Miss Daisy ”
By Alfred Uhry
Directed by Doug Davis
Sunday: June 25th, 6:30 – 8:30 pm
Monday: June 26th, 6:30 – 8:30 pm
The cast consists of 2 Men & 1 Woman.
Daisy Werthan…..…………..A rich sharp tongued Jewish Widow ( Stage age 70’s )
Hooke Colburn…………..…Miss Daisy’s Chauffeur who is African American ( Stage age 60’s )
Boolie Werthan……….……Miss Daisy’s son ( Stage age 40’s -50’s)
Presented Aug.11th – Aug 27th 2017 ( Fri, Sat, Sun )
If you can not attend auditions or for more information please email director Doug Davis at email@example.com .Those auditioning please be prepared to read from the script . Please bring a list of all conflicts including weekends.
They will take place at Carmel Community Players Theatre
14299 Clay Terrace Blvd.
Carmel, IN 46032
The place is the Deep South, the time 1948, just prior to the civil rights movement. Having recently demolished another car, Daisy Werthan, a rich, sharp-tongued Jewish widow of seventy-two, is informed by her son, Boolie, that henceforth she must rely on the services of a chauffeur. The person he hires for the job is a thoughtful, unemployed black man, Hoke, whom Miss Daisy immediately regards with disdain and who, in turn, is not impressed with his employer’s patronizing tone and, he believes, her latent prejudice. But, in a series of absorbing scenes spanning twenty-five years, the two, despite their mutual differences, grow ever closer to, and more dependent on, each other, until, eventually, they become almost a couple. Slowly and steadily the dignified, good-natured Hoke breaks down the stern defenses of the ornery old lady, as she teaches him to read and write and, in a gesture of good will and shared concern, invites him to join her at a banquet in honor of Martin Luther King, Jr. As the play ends Hoke has a final visit with Miss Daisy, now ninety-seven and confined to a nursing home, and while it is evident that a vestige of her fierce independence and sense of position still remain, it is also movingly clear that they have both come to realize they have more in common than they ever believed possible—and that times and circumstances would ever allow them to publicly admit.
Winner of the 1988 Pulitzer Prize and the Outer Critics Circle Award for Best Off-Broadway Play. A warm-hearted, humorous and affecting study of the unlikely relationship between an aging, crotchety white Southern lady, and a proud, soft-spoken black man. A long-run Off-Broadway success and an Academy Award-winning film. “The play is sweet without being mawkish, ameliorative, without being sanctimonious.” —NY Times. “…a perfectly poised and shaped miniature on the odd-couple theme.” —NY Post. “Playwrights Horizons has a winner in this one…gives off a warm glow of humane affirmation.” —Variety. “DRIVING MISS DAISY is a total delight.” —NY Daily News.
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