The process of my technique is that of obscuring images through a multitude of painted and varnished surfaces, collage materials and layers. The image is destroyed, obscured and then reactivated, thus suggesting the cycle and eroding power of time.

I am unconcerned about the explanation or easily extracted meaning of my work.

By not being immediately understandable, the content forces the viewer to participate in deciphering meaning for themselves.

Thus this way of seeing the act of creating has allowed my work to come to a place that does not simply deal with the reconstruction of an object for its own sake, but rather the mystifying and abstracting of personal meaning and symbolism.