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  • Can You Tell What's Missing
    Can You Tell What's Missing
    Category: Hand-Lettered Signage
    This hand-lettered sign, painted on concrete blocks outside a house on Columbia Avenue, proudly displays the message “Can You Tell What’s Missing from Ch–ch” with several crosses next to the words. Hand-lettered signs are popular in residential areas due to their accessibility as an art form – since making a sign doesn’t require any fancier tools or training, it’s a way for those at any skill level to express themselves through art.
  • Car Culture (1)
    Car Culture (1)
    Category: Mural; Traffic Signal Box Art
    In November of 2013, Foundation East participated in a public art project for the design and painting of seven Irvington traffic signal boxes along Washington Street from Kitley to Emerson Ave. This was completed and met with immense community excitement. Foundation East’s focus is to transform all the remaining Irvington traffic signal light boxes into community public arts canvases. Aside from creating inspiring public works of art in the eastside, these boxes aid in public safety and provide a sense of community pride in Irvington. 2013’s themes center on two things: Car culture and a farming heritage. The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations. Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
  • Car Culture (2)
    Car Culture (2)
    Category: Mural; Traffic Signal Box Art
    In November of 2013, Foundation East participated in a public art project for the design and painting of seven Irvington traffic signal boxes along Washington Street from Kitley to Emerson Ave. This was completed and met with immense community excitement. Foundation East’s focus is to transform all the remaining Irvington traffic signal light boxes into community public arts canvases. Aside from creating inspiring public works of art in the eastside, these boxes aid in public safety and provide a sense of community pride in Irvington. 2013’s themes center on two things: Car culture and a farming heritage. The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations. Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
  • Car Culture (3)
    Car Culture (3)
    Category: Mural; Traffic Signal Box Art
    In November of 2013, Foundation East participated in a public art project for the design and painting of seven Irvington traffic signal boxes along Washington Street from Kitley to Emerson Ave. This was completed and met with immense community excitement. Foundation East’s focus is to transform all the remaining Irvington traffic signal light boxes into community public arts canvases. Aside from creating inspiring public works of art in the eastside, these boxes aid in public safety and provide a sense of community pride in Irvington. 2013’s themes center on two things: Car culture and a farming heritage. The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations. Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
  • Car Culture (4)
    Car Culture (4)
    Category: Mural; Traffic Signal Box Art
    In November of 2013, Foundation East participated in a public art project for the design and painting of seven Irvington traffic signal boxes along Washington Street from Kitley to Emerson Ave. This was completed and met with immense community excitement. Foundation East’s focus is to transform all the remaining Irvington traffic signal light boxes into community public arts canvases. Aside from creating inspiring public works of art in the eastside, these boxes aid in public safety and provide a sense of community pride in Irvington. 2013’s themes center on two things: car culture and farming heritage. The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations.  Designs include one or combination of Irvington’s branding color scheme. This Car Culture traffic signal control box was done by Indianapolis-based artist Andrew Severns using his signature geometric forms, with a central car image.
  • Car Culture (5)
    Car Culture (5)
    Category: Mural; Traffic Signal Box Art
    In November of 2013, Foundation East participated in a public art project for the design and painting of seven Irvington traffic signal boxes along Washington Street from Kitley to Emerson Ave. This was completed and met with immense community excitement. Foundation East’s focus is to transform all the remaining Irvington traffic signal light boxes into community public arts canvases. Aside from creating inspiring public works of art in the eastside, these boxes aid in public safety and provide a sense of community pride in Irvington. 2013’s themes center on two things: Car culture and a farming heritage.  The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations. Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
  • Car Culture (6)
    Car Culture (6)
    Category: Mural; Traffic Signal Box Art
    In November of 2013, Foundation East participated in a public art project for the design and painting of seven Irvington traffic signal boxes along Washington Street from Kitley to Emerson Ave. This was completed and met with immense community excitement. Foundation East’s focus is to transform all the remaining Irvington traffic signal light boxes into community public arts canvases. Aside from creating inspiring public works of art in the eastside, these boxes aid in public safety and provide a sense of community pride in Irvington. 2013’s themes center on two things: Car culture and a farming heritage. The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations. Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
  • Cardinal
    Cardinal
    Category: Outdoor Sculpture
    Combining an aluminum exterior with a steel infrastructure, this 15-ton stylized sculpture by artist Jeff Laramore of 2nd Globe Studios honors Indiana’s state bird, the northern cardinal. Linel Signature of Mooresville was the fabricator of the cardinal sculpture, spending over spent 6 months cutting, shaping, and welding the 15,000 pounds of steel and 15,000 pounds of aluminum. The multimillion-dollar plaza outside the JW Marriott tower is a tribute to Indiana, with artwork depicting the state bird, the state tree (the tulip poplar), and state flower (the peony).
  • Cardinal Points
    Cardinal Points
    Category: Architectural Detailing; Mural
    .
  • Cardinalis
    Cardinalis
    Category: Outdoor Sculpture
    The dynamically positioned "red wing" and its connection to the ground via the sweeping arch element, makes an immediate and obvious link to aviation. This act of "bridging" can be seen as a symbol of airports, which are in fact "middle ground" – the physical places in our contemporary society that connect the earth and sky. Airports are between two worlds and take on modern mythic status. The physical shape, positioning and color of Cardinalis, with its uplifting, sweeping and graceful energy, is itself a metaphor for the act of flying . The delicate and relatively small area where it "touches down" not only gives the work great physical drama and visual excitement , it also is symbolic of the skill and "magic" needed for safe taking off and landing. Cardinalis pays homage both to the Wright Brothers and to the men and women whose skill and dedication make air travel a reality. Quoted from: http://www.johnvanalstine.com/docs/portfolio/cardinalis.html
  • Cardinals and Peonies
    Cardinals and Peonies
    Category: Mural
    This mural, created for a private residence, highlights the Indiana state bird and state flower, the cardinal and peony respectively. The mural incorporates the artist’s signature style of juxtaposing images against graphic lines and patterns. Martin Kuntz is an American artist living and working in Indianapolis. Born in Vlissingen, Netherlands, Kuntz moved to his Hoosier home at the age of 3. He graduated from the Maryland Institute College of Art in Baltimore, Maryland in 2008 with a BFA in Painting. He continues to work and show in various galleries in and around the Midwest.
  • Care / Don't Care
    Care / Don't Care
    Category: Electronic/Technology; Outdoor Sculpture
    Care/Don’t Care, created by Indianapolis-based artist Jamie Pawlus, resembles a pedestrian signal and functions like the typical “Walk/Don’t Walk” signals. In an increasingly fast-paced world, this project quietly invites users to pause and find joy in a moment of comic relief. The message “Don’t Care” is programmed to change to “Care” automatically and at random intervals; it can also be changed manually if trail users push the button. The “Care/Don’t Care” signal is placed for use by those continuing along the trail, as opposed to a tradition pedestrian crossing sign that is located near intersections. It is located on the east end of Massachusetts Avenue, just north of the intersection of St. Clair Street and College Avenue. Jamie Pawlus is a graduate of the Herron School of Art and Design. Her practice involves the creation of conceptually based, site-specific installations. Much of Pawlus’ work is expressed through a public vernacular and is made with the same industrial-grade materials used for public signage. The literal and visual imagery of her works are individual antidotes and anecdotal expressions of personal experiences. Pawlus has been awarded the Efroymson Contemporary Arts Fellowship and the Creative Renewal Arts Fellowship.
  • Cargo Streetwear Mural
    Cargo Streetwear Mural
    Category: Commercial; Mural
    On the side of a shipping container, this mural by artist Lucian Agape is for the boutique clothing shop Cargo Streetwear. The mural has striking angular lines, bold colors, natural and surreal imagery, and graffiti writing. Lucian Agape is of Jamaican-Chinese descent, born in Long Beach, California, and currently living and working in Indianapolis. Agape gets inspiration from a variety of sources including pop art, music, and graffiti.
  • Carmel Clay Freedom Circle Veterans Memorial
    Carmel Clay Freedom Circle Veterans Memorial
    Category: Memorial/Monument; Outdoor Sculpture
    This over-life-sized sculpture of two kneeling soldiers, a man and a woman, shows them as if they were on a battlefield and have just picked up an American flag.  They seem windblown, as if they are fighting the weather along with other hardships in order to move forward.  Eight flags–one for each of the five uniformed military services as well as the U.S. flag, the Indiana flag, and the POW/MIA flag–fly at the site.  Six plaques with inspirational quotes surround the pedestal; the quote authors are Presidents Lincoln, Jefferson, Eisenhower and Reagan, philosopher Edmund Burke, and aviator Amelia Earhart.  A reflecting pool, common to many memorials, completes the layout. The memorial honors American veterans of all wars, all periods, anywhere. The figures are wearing late 20th century military dress, but historic battlefield artifacts are represented to signify the historic aspects of the monument. The sculpture was created in 2006 by Terre Haute, IN artist Bill Wolfe, who won a design competition in order to receive the commission.  The project was first initiated in 1999. Click here for more information.
  • Carmel Watusi (Cyclo)
    Carmel Watusi (Cyclo)
    Category: Outdoor Sculpture
    Brad Howe began his career in Brazil after studying history at the University of Sao Paulo. His work presents the influence of inquiry into the aesthetics of various cultures and distinct movements in the continuum of art history. Howe’s work continues to connect with international communities, exhibiting and completing site-specific commissions both in the US and abroad. Known for his sculpture practice, Howe’s focus also includes the representation of objects through diverse means, including photography. “The sculpture, Carmel Watusi, was commissioned for the roundabout where it is installed, to create an uplifting, playful artwork that would brighten the mood on residents and motorist who came across it in their day to day. I call it a Watusi because it was inspired by photographs of dancers, mainly modern dancers, mainly Martha Graham. So whereas I see the piece as a substantial monumental sculpture that people can use as a landmark, it was my hope that it could be appreciated by people from all walks of life, those who are familiar with modern art and those who are not, and that those you see it are somewhat entertained by it. I think that public art should be generous to the public, and I hope that this sculpture accomplishes that.” – Brad Howe Stainless Steel, Polyurethane
  • Carniceria Pueblita
    Carniceria Pueblita
    Category: Commercial; Hand-Lettered Signage
    This hand-lettered sign, painted on the side of Carniceria Pueblita, proudly displays the business’ name. Hand-lettered signs are popular with businesses, as they allow the business to express their brand’s unique personality through art, support local artists, and draw the eyes of potential customers.
  • Carreto Auto Repair
    Carreto Auto Repair
    Category: Commercial; Hand-Lettered Signage
    This hand-lettered sign, displayed outside Carreto Auto Repair, proudly displays the business’ name, offered services, and phone number in bold white letters with red accents on the business name. Hand-lettered signs are popular with businesses, as they allow the business to express their brand’s unique personality through art, support local artists, and draw the eyes of potential customers.
  • Casey Stengel
    Casey Stengel
    Category: Archive; Outdoor Sculpture; Temporary
    This bronze cast of a 1965 statue by Rhoda Sherbell was made in 2000.  It once stood on the IUPUI campus near the National Art Museum of Sport, but has since been moved to their new location within the Children’s Museum. The sculpture honors Charles Dillon “Casey” Stengel (1890-1975), the baseball player and manager associated with various pro teams, most famously, the New York Yankees and the New York Mets. His outsize personality often overshadowed the sporting accomplishments of his teams. The inscription on the statue’s plinth reads “DEDICATED TO THE FOUNDER OF THE NATIONAL ART MUSEUM OF SPORT. GERMAIN G GLIDDEN. 1913-1999.” The National Art Museum of Sport is housed within the Sports Legends Experience at the Children’s Museum. It is no longer free, but may be viewed with general admission to the Museum.  NAMOS was founded in 1959 in New York City by Germain G. Glidden (GGG), a portrait artist and champion squash player with a strong belief in sport and art as universal languages understood and appreciated by all people. Its mission is to encourage sport artists in their efforts to create sport art, and to collect, preserve and share the best examples of sport art it can acquire. The museum occasionally assembles exhibitions from its 1000-piece collection and circulates them to other venues for display.  For more information, visit http://nationalartmuseumofsport.org/
  • Castleton Integrative Health
    Castleton Integrative Health
    Category: Commercial; Hand-Lettered Signage
    This hand-lettered sign, displayed outside Castleton Integrative Health, proudly displays the business’ name and lists services they offer, such as chiropractic services. Hand-lettered signs are popular with businesses, as they allow the business to express their brand’s unique personality through art, support local artists, and draw the eyes of potential customers.
  • Cat and Caterpillar
    Cat and Caterpillar
    Category: Mural
    This garage mural by artist Jules Muck depicts a large black cat and a monarch butterfly. Jules Muck’s work often features playful cats and butterflies, and she has painted many private garage doors around Indianapolis. Jules Muck, aka MuckRock, is a street artist from England who learned her craft in the 1990s from Lady Pink and many other legends of graffiti and hip-hop culture.  After working extensively in New York, she moved to Venice, California in 2008.  She currently works nationally and internationally, with major works in various locations including Miami’s famous Wynwood district, produced with Art Basel Miami. MuckRock’s street works are both invited and unsanctioned, and she has created work for gallery exhibitions.
  • Catch of the Day
    Catch of the Day
    Category: Commercial; Mural
    In August of 2020, local artist Nekoda (Koda) Witsken was commissioned to paint a mural at the entrance of the newly opened seafood restaurant Slapfish on Mass Avenue.  The painting of the colorful fish just inside the front door of the restaurant welcomes the visitors into the restaurant, and, as it is visible through the window, its bright colors catch the eye of passersby. The artist uses her trademark style of a large number of bold colors in abstracted blocks to create the image.  The mural folds around the corner, which adds depth to the painted image. Koda Witsken is based in Hamilton County, Indiana and is the owner of Hue Murals, specializing in indoor and outdoor large-scale murals for public and private spaces. Examples of her mural work span warehouses, residences, offices, shipping containers, pianos, cars, snowplows, canvases, skulls, and more.  
  • Caterpillar
    Caterpillar
    Category: Archive; Outdoor Sculpture
    At the southeast corner of Lilly Science Hall is Brian Ferriby’s painted steel sculpture, Caterpillar. Ferriby, from Berklem, Michigan, uses copper and steel mined in the Upper Peninsula. He employs techniques elemental to the region, from those of the earliest black­smiths to the ironworkers who built fac­tories, skyscrapers, and bridges. “I believe my sculpture is a continuation of these innovations,” Ferriby says. Quoted from: www.uindy.edu/arts/caterpillar
  • Cats Playing with Plants
    Cats Playing with Plants
    Category: Mural
    This private outdoor mural features stylized cats and plants in a playful composition.
  • Caution Trees
    Caution Trees
    Category: Archive; Outdoor Sculpture; Temporary
    This installation was part of Indy Art & Seek, a project by the Arts Council of Indianapolis and Keep Indianapolis Beautiful to pair artists and communities to create site-specific art that encourages neighborhood residents to see their surroundings in new ways. Wrapping trees as both a cultural and an artistic practice  is growing in popularity across cityscapes. In Japan, the Shinto tradition holds that all natural forms are imbued with a life spirit; for thousands of years they have wrapped the trunks of specially honored trees with decorative ropes and streamers. “Prayer trees” in Siberia are adorned with fabric bands to serve as an intermediary between our world and that of the spirits; the bands symbolize a wish for peace and harmony.  More recently, artists like Christo and Jeanne-Claude (who wrapped trees in a park in Switzerland in 1997-98), Zander Olsen (UK; ongoing Tree, Line project), and Piotr Janowski (in Tarpon Springs, FL, 2015) have explored wrapping trees in various materials for both aesthetic and conceptual purposes. For the Art & Seek intervention, tree limbs simulating small trees are wrapped in brilliant orange caution tape. Small branches are wrapped in narrow, solid-color strips, while the trunk and large branches are wrapped in pre-printed tape bearing the word “Caution”. Viewers can interpret the “caution” signal on the trees in a variety of ways.  The trees could be cautioning against the damaging effects of man-made climate change.  They could also be cautioning against overdevelopment at the expense of trees and human inhabitants. Lisa Elliott is an educator, land artist, and creative placemaker living on Indianapolis’ west side.
  • Celebrating the Hoosier Spirit
    Celebrating the Hoosier Spirit
    Category: Outdoor Sculpture
    Celebrating the Hoosier Spirit is on view outside the 4H Exhibit Hall and Auditorium on the Indiana State Fairgrounds beginning in August 2012. About the work: The Hoosier spirit is fruitful, strong and resilient. Like a farmer who has lost his crop yet goes out the next year to plant the seed, plow the field, and harvest the corn – the Hoosier spirit finds a way to face tragedy by reaching out to help and continuing the work. When faced with a challenge, Hoosiers respond much like the farmer – we get our hands dirty. We do the work. The strength of the Hoosier spirit is represented in these structures created by sculptor Jamie Dickerson. The exterior surface of these forms imitates the texture and coloring of cornhusk. The conical shape of the husks appears to grow and twist into stylized shelters as they curve upward. Each has an opening inviting viewers to connect with the art, to walk into them and explore the strength, beauty and versatility of this resource: the most productive and versatile crop grown around the world. Special thanks to: Pike Lumber Company, Akron, IN
  • Celebration
    Celebration
    Category: Architectural Detailing; Mural
    Located in the Indianapolis International Airport – Concourse A Artwork includes poem excerpt: I will bring you a whole person and you will bring me a whole person and we will have us twice as much of love and everything I be bringing a whole heart and while it do have nicks and dents and scars, that only make me lay it down more careful-like An’ you be bringing a whole heart a little chipped and rusty an’ sometime skip a beat but still an’ all you bringing polish too and look like you intend to make it shine And we be bringing, each of us the music of our selves to wrap the other in Forgiving clarities soft as a choir’s last lingering note our personal blend I will bring you someone whole and you will bring me someone whole and we be twice as strong and we be twice as sure and we will have us twice as much of love and everything Mari Evans, Celebration, 1993
  • Central Ace Hardware Mural
    Central Ace Hardware Mural
    Category: Mural
    The entire south wall of the Central Ace Hardware on Arlington Avenue. is covered by Carl Leck’s graphic and tromp l’oeil depiction of tools.  A larger-than-life screw juts out from the wall, waiting for the screwdriver to be put to use.
  • Charles C. Brandt Construction Co.
    Charles C. Brandt Construction Co.
    Category: Commercial; Hand-Lettered Signage
    This hand-lettered sign, displayed outside Charles C. Brandt Construction Company, proudly displays the business’ name and motto, “Turning visions into reality since 1907.” Hand-lettered signs are popular with businesses, as they allow the business to express their brand’s unique personality through art, support local artists, and draw the eyes of potential customers.
  • Charlie Wiggins Living the Legacy
    Charlie Wiggins Living the Legacy
    Category: Historical; Mural
    This transit stop installation tells the story of Charlie Wiggins, a Black Indianapolis auto mechanic and champion race car driver who was refused entry to compete in the Indianapolis 500 because of his skin color. Undeterred, he helped form the Colored Speedway Association and created an all-Black racing event called the Gold and Glory Sweepstakes. The installation was part of a project by The Rev. Dr. Martin Luther King Jr. Legacy Project in 2010 that asked students to select excerpts from speeches and sermons of Dr. King that speak to them today. This is one of five transit shelters that were part of this project, and this shelter shows quotes chosen by Crispus Attucks High School and Holy Angels Catholic School.
  • Charlie's Place Diner
    Charlie's Place Diner
    Category: Commercial; Hand-Lettered Signage
    This hand-lettered sign, displayed outside Charlie’s Place Diner, proudly displays the business’ name, along with an intersecting fork, knife, and spoon that is labeled between the fork rinds, “good friends, food, times” and an image of a barn with two silos and a windmill. Beneath this, on a red awning, are two steaming coffee cups. Also on the awning are the remnants of two previous hand-lettered signs: One for “Old McDonald’s Cafe,” and another for “Pizza Hut.” Hand-lettered signs are popular with businesses, as they allow the business to express their brand’s unique personality through art, support local artists, and draw the eyes of potential customers.
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