American Tent and Awning Graffiti The west-facing American Tent and Awning graffiti wall was created by the DF Crew in 2012 as a part of the annual Subsurface Graffiti Expo.
Subsurface is an event that showcases mural and graffiti artists from all over America and beyond. Since 2002, artists have traveled to Indianapolis every Labor Day weekend to create work and build community. Subsurface seeks to advance the art form through beautifying and revitalizing the landscape of the Fountain Square neighborhood specifically. Subsurface also seeks to raise social and cultural awareness and promote the arts as an institution of empowerment for all involved.
The DF Crew has influenced the graffiti landscape all over the world with innovative styles and was a major contributor to the early ’90s production era. Kwaze, Rapes, Emit, Ewok, Jick, Vogey, and Dero (known as an NYC subway legend) are among some of the artists showcased on this Southside graffiti wall.
Anubis-Cyclops and Terminator Canine In the Old Southside neighborhood, artist Jules Muck added murals to three sides of a building on S. Meridian St. The mural on the south wall features a “Terminator Canine” character, where the eyes of the giant dog shoot lasers to melt the drain pipe. A cool character wearing sunglasses and smoking a cigarette graces the east wall. On the north wall a fantasy dog, “Anubis-Cyclops,” is resting peacefully, but has a single oversized yellow eye that Muck has used on multiple murals around the country. These murals were painted during an informal artist’s residency in the summer of 2019.
Jules Muck, aka MuckRock, is a street artist from England who learned her craft in the 1990s from Lady Pink and many other legends of graffiti and hip-hop culture. After working extensively in New York, she moved to Venice, California in 2008. She currently works nationally and internationally, with major works in various locations including Miami’s famous Wynwood district, produced with Art Basel Miami. MuckRock’s street works are both invited and unsanctioned, and she has created work for gallery exhibitions.
Barn The artist who once occupied this building, John Domont, painted the mural both as a demonstration of his skill and as a tribute to rural Indiana.
Bee Mindful: They are Important Given the opportunity to paint whatever she liked on the wall of this Jiffy Lube store, the artist chose to depict the importance of bees and their drastic drop in population because of herbicides, pesticides, deforestation, and urbanization. When bees are gone, everything in the world, including humans, will cease to exist. True to her style, the artist depicted an illusion of the wall breaking open to reveal a honeycomb, with several bees in various states of maturity flying out from it. The final “bee” is a baby in a bee costume holding a heart balloon, to indicate the importance of bees to human life. The bees appear to be flying towards a giant sunflower, with a world globe in its center.
Although not apparent to the casual viewer, the artist also added several details that ground the mural in the time (summer 2019) and place it was painted and reflect her personal concerns. A careful look at the globe in the sunflower reveals red and orange areas in the depiction of South America, to indicate fires in the Amazon rainforest that were in the news at the time. There is also a tiny hurricane in the Caribbean–indicating Hurricane Dorian, which was just forming at the time and was projected to be one of the most devastating hurricanes in recent memory–and a dot indicating Indianapolis. The baby was created to be of an indeterminate race, and the pattern in the wings of the baby’s bee costume is reminiscent of the chain link fences that controversially characterize conditions in immigrant holding camps along the U.S.’s southern border, also in the news while the mural was being created. All together, they reveal an artist who is passionately devoted to the health of the world and moved by crises that are damaging to humanity.
Pamela Bliss is an Indianapolis-based artist specializing in large-scale, photorealistic murals.
Bee Mindful… was created through a partnership between Jiffy Lube of Indiana and the Arts Council of Indianapolis. The partnership is an opportunity to showcase local artists, beautify commercial corridors with original public art murals, and encourage viewers through positive images while expressing the goals of Jiffy Lube’s programming: Growing People Through Work.
Indy Auto Man Core Values This mural is the centerpiece of Indy Auto Man’s Service Center, built in 2021. The design is emblematic of the organization’s core values, including initiative, growth, integrity, transformation, and resourcefulness. Employees were surveyed during the design process as to which symbols and heroes they felt best represented these values: their feedback was then incorporated into the design. This mural served as the backdrop to the inaugural Indy Arts Fest in September, 2021.
The mural was designed and painted by Koda Witsken of Hue Murals, with assistance by Travis Neal, Bezol One, and Dan “Invisible Hometown” Handskillz.
Indy Mural Fest 2019 - (A) Koch South Held October 25 – 27, 2019, Indy Mural Fest, presented by Indy Go, Do317, Visit Indy, and Keep Indianapolis Beautiful, is a celebration of art and slowing down to really see the walls that flash by when you’re in your car, on the bus, or riding a bike or scooter. All over the city, over 50 local artists spent their time painting over 50 murals.
Beginning at the west corner of the south wall, panels were numbered 15-19 with panels 15 & 16 combined. The artists for the panels, listed from west to east, are:
15 & 16 – Invader Zim, by Nathan Holmes and Tre Smith of Open Window Art
17 – work by Willow Benjamin
18 – work by Esay (aka Esay One)
19 – work by Evism
James Whitcomb Riley Located on the north-facing wall of the American Tent and Awning Company building, this FAB Crew mural features the “Hoosier Poet” James Whitcomb Riley. Created for the Old Southside Neighborhood Association, the mural was unveiled at a Neighborhood Party in June of 2015. The quote depicted from Riley states, “The ripest peach is highest on the tree.”
The mural’s bold images are representative of the dynamic colors and design that 6Cents and Sacred317 have created over their 17 years together as Fab Crew. Though both are trained in fine art and commercial design, graffiti art remains the driving force behind their creativity.
American Tent and Awning has a history of over 100 years in Indianapolis, and was founded by Charles J. Truemper, a German immigrant, in 1873. Truemper was a personal friend of James Whitcomb Riley, and it is said that Riley would frequently visit Truemper in his office when American Tent and Awning was originally located near the Lockerbie neighborhood.
Koch's Electric Graffiti Wall As one of the few sanctioned graffiti walls left in Indianapolis, IN, Koch’s Electric graffiti wall stands as a testament to the talent of the young, aspiring graffiti community as well as the more well-known graffiti writers in the area. Constantly changing, this living wall has represented the very nature of the art form and the state of graffiti in Indianapolis since 2003.
Mihtohseenionki The Eiteljorg Museum of American Indians and Western Art partnered with Christel House Academy to bring art into this Near Southside neighborhood. A grant from the Christel DeHaan Family Foundation allowed the Eiteljorg to connect students at the Christel House Academy with Native American photographer and installation artist, Will Wilson (Diné), for a mural project that not only introduced students to art and indigenous cultures, but it also helped them give back to the Indianapolis community by beautifying a neighborhood building. As part of the project, Wilson talked to the students about Diné culture and the influence of his culture on his art.
Mihtohseenionki means “the people’s place” in the Miami language, referring to what local indigenous peoples (the Miami, Delaware, Potawatomi, and others) think of the Indiana region.
The students assisted Wilson in tracing and filling in the mural celebrating the Indians of Indiana. The mural, which was placed on a vacant building, was created in part of Christel House Academy’s efforts to bring a multicultural education to their students.
William (Will) Wilson is a Diné photographer who spent his formative years living in the Navajo Nation. Born in San Francisco in 1969, Wilson studied photography at the University of New Mexico (Dissertation Tracked MFA in Photography, 2002) and Oberlin College (BA, Studio Art and Art History, 1993). In 2007, Wilson won the Native American Fine Art Fellowship from the Eiteljorg Museum, and in 2010 was awarded a prestigious grant from the Joan Mitchell Foundation. Wilson has held visiting professorships at the Institute of American Indian Arts (1999-2000), Oberlin College (2000-01), and the University of Arizona (2006-08). From 2009 to 2011, Wilson managed the National Vision Project, a Ford Foundation funded initiative at the Museum of Contemporary Native Arts in Santa Fe, and helped to coordinate the New Mexico Arts Temporary Installations Made for the Environment (TIME) program on the Navajo Nation. Read more about Wilson at http://willwilson.photoshelter.com/index
Montessori Garden Academy Mural This whimsical mural of flowers and wild life on south wall of school was designed by illustrator Penelope Dullaghan and executed by artist Carl Leck.
Mr Tuber This mural of an anthropomorphic root vegetable was painted during an informal artist’s residency in the summer of 2019.
Jules Muck, aka MuckRock, is a street artist from England who learned her craft in the 1990s from Lady Pink and many other legends of graffiti and hip-hop culture. After working extensively in New York, she moved to Venice, California in 2008. She currently works nationally and internationally, with major works in various locations including Miami’s famous Wynwood district, produced with Art Basel Miami. MuckRock’s street works are both invited and unsanctioned, and she has created work for gallery exhibitions.
Play! Play is not just a frivolous pastime; it has the potential to serve as an important tool in numerous aspects of daily life for children and adults alike. Not only does play promote and aid in physical development, but it also aids in cognitive development and social skills. Simply thinking about play can bring a sense of relaxation and an opening of the mind to new possibilities.
Artist Carl Leck has tapped into the benefits of play for everyone, by offering fun memories of childhood in a bright and engaging underpass mural. Larger-than-life toys greet passers-by and bring a smile to their faces. The design was inspired by the horizontal concrete seams that cover the entire concrete area: he chose not to ignore them, but to convert them into oversized Lego blocks and use their regularity as a bold contrast to the soft, curvy elements of the toys.
Leck is an Indianapolis-based painter and graphic designer. For more information about his mural work, visit http://www.carlleck.net/about-web2011.htm
Subsurface 2005 Mural As one of the few remaining early Subsurface murals, this exploding water main represents the beginnings of the annual graffiti expo and the exploration of street art style in Indianapolis.
Subsurface is an event that showcases mural and graffiti artists from all over America and beyond. Since 2002, artists have traveled to Indianapolis every Labor Day weekend to create work and build community. Subsurface seeks to advance the art form through beautifying and revitalizing the landscape of Indianapolis’ urban neighborhoods. Subsurface also seeks to raise social and cultural awareness and promote the arts as an institution of empowerment for all involved.
Disclaimer : The Arts Council of Indianapolis provides this database and website as a service to artists, arts organizations, and consumers alike. All information contained within the database and website was provided by the artists or arts organizations. No adjudication or selection process was used to develop this site or the artists and organizations featured. While the Arts Council of Indianapolis makes every effort to present accurate and reliable information on this site, it does not endorse, approve, or certify such information, nor does it guarantee the accuracy, completeness, efficacy, timeliness, or correct sequencing of such information.
