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Aquarium Surprise This wraparound design of an aquarium deftly mixes the expected with the unexpected. The artist has shown both the inside and the outside of the aquarium, adding the cat on the outside as he views his own tail on the other side through the water. The views are true to what an actual aquarium looks like.
Aquarium Surprise is one of an ongoing series of traffic signal box artworks sponsored by the City of Fishers as a way to enliven its downtown area.
Artist Travis Neal lives in Indianapolis and specializes in mural artwork.
Arrows The West Indianapolis community (Oliver Street to Raymond, White River to Holt Ave) lies “between the rivers” of Eagle Creek and the White River. It is one of the oldest neighborhoods in Indy, with many West Indy families having lived here for multiple generations. In the spring of 2015, eight traffic signal control boxes, created by professional artists from designs voted on by a panel representing both art experts and the neighborhood residents, were painted as part of a Great Indy Cleanup project. Keep Indianapolis Beautiful’s Great Indy Cleanup program helps community groups organize to combat heavy litter and debris that has accumulated in public spaces such as streets, alleys, greenspaces, and waterways. Some cleanup efforts also include new plantings and community murals, all done by neighborhood volunteers. For more information about the Great Indy Cleanup program, visit http://www.kibi.org/programs/beautification/great-indy-cleanup/
On the northwest corner of Morris and Belmont Streets, the artist Tasha Beckwith added street-inspired color to Indianapolis’ Westside. Using a mixture of different blues, greens, and neutral tones she rendered abstracted arrows on this traffic signal box. Unfortunately, this box was hit during a traffic accident in July 2016 and was replaced with a new, unpainted box.
Balloon Ride The artist of this mural was inspired by the hot air balloons that can be seen hovering over Fishers, courtesy of nearly Conner Prairie. Balloon Ride is his take on this iconic sight. A tiny mouse rides as a passenger in each balloon–motorists miss this detail, but it is a special reward for pedestrians.
Mark Anderson is a sculptor and mural artist based in Indianapolis.
Balloon Ride is one of a series of traffic control box artworks commissioned by the City of Fishers to enliven its downtown area.
Bike Ride Artist Marc Anderson is fascinated with transportation, and was inspired by this site to create a design featuring a bicycle in silhouette. Its simple pattern of vibrant pink and deep black zig-zags contrasts nicely with the outline of a bicycle in white. The artist injects his sense of humor into all his work, and has included a special surprise at the front of the bike between the wheel and the handlebars. Motorists miss it, but it is a reward he has created for pedestrians and, of course, bicyclists.
Marc Anderson is an Indianapolis-based sculptor and mural artist.
Bike Ride is one of a series of traffic signal control box artworks commissioned by the City of Fishers to enliven its downtown area.
Birds Visiting Canada geese are a feature of Fishers, and artist William Denton Ray has taken his signature whimsical, graphic style and applied it to the subject. Using a very controlled color palette, he has stripped the birds’ elements to basic shapes to form an almost abstract design.
Birds is one of a series of traffic signal control box murals commissioned by the City of Fishers to enliven its downtown.
William Denton Ray is an artist based in Indianapolis.
Bluebird Artist Tosca Carranza was commissioned by Near East Area Renewal to paint five traffic signal control boxes along Rural Street, in a series called “I Love My Neighborhood.” The design for this box represents happiness: the bluebird’s bright color and energetic behavior have been associated with happiness since ancient times in cultures around the globe, popularized in this country in a 1934 song called the ‘Bluebird of Happiness.’
Tosca Carranza is a painter and art educator who lives on Indianapolis’ Near Eastside.
Bus Bike Walk Irvington (1) The designs of local artists Morgan Hauth, Shelby Kelley and Andrew Severns were been selected to be featured on traffic signal boxes along Washington Street, transforming Indy’s Eastside. The first project of its kind in Indianapolis, seven traffic signal boxes became a series of public artworks seen by thousands of people daily.
The traffic signal boxes on Washington Street, from Emerson to Edmonson, were painted by volunteers on Saturday, October 20, as part of the Great Indy Cleanup, sponsored by Keep Indianapolis Beautiful, Inc. with support from the Mayor’s office and many local businesses and retailers.
The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations.
Traffic signal box art along E. Washington St. was created in the theme of a busable, bikeable, walkable Irvington drawing directly on this transit corridor’s past and future. 36,000 cars and trucks travel E. Washington St daily. It is the National Road and former US40.
Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
Bus Bike Walk Irvington (2) The designs of local artists Morgan Hauth, Shelby Kelley and Andrew Severns were been selected to be featured on traffic signal boxes along Washington Street, transforming Indy’s Eastside. The first project of its kind in Indianapolis, seven traffic signal boxes became a series of public artworks seen by thousands of people daily.
The traffic signal boxes on Washington Street, from Emerson to Edmonson, were painted by volunteers on Saturday, October 20, as part of the Great Indy Cleanup, sponsored by Keep Indianapolis Beautiful, Inc. with support from the Mayor’s office and many local businesses and retailers.
The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations.
Traffic signal box art along E. Washington St. was created in the theme of a busable, bikeable, walkable Irvington drawing directly on this transit corridor’s past and future. 36,000 cars and trucks travel E. Washington St daily. It is the National Road and former US40.
Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
Bus Bike Walk Irvington (3) The designs of local artists Morgan Hauth, Shelby Kelley and Andrew Severns were been selected to be featured on traffic signal boxes along Washington Street, transforming Indy’s Eastside. The first project of its kind in Indianapolis, seven traffic signal boxes became a series of public artworks seen by thousands of people daily.
The traffic signal boxes on Washington Street, from Emerson to Edmonson, were painted by volunteers on Saturday, October 20, as part of the Great Indy Cleanup, sponsored by Keep Indianapolis Beautiful, Inc. with support from the Mayor’s office and many local businesses and retailers.
The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations.
Traffic signal box art along E. Washington St. was created in the theme of a busable, bikeable, walkable Irvington drawing directly on this transit corridor’s past and future. 36,000 cars and trucks travel E. Washington St daily. It is the National Road and former US40.
Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
Bus Bike Walk Irvington (4) The designs of local artists Morgan Hauth, Shelby Kelley and Andrew Severns were been selected to be featured on traffic signal boxes along Washington Street, transforming Indy’s Eastside. The first project of its kind in Indianapolis, seven traffic signal boxes became a series of public artworks seen by thousands of people daily.
The traffic signal boxes on Washington Street, from Emerson to Edmonson, were painted by volunteers on Saturday, October 20, as part of the Great Indy Cleanup, sponsored by Keep Indianapolis Beautiful, Inc. with support from the Mayor’s office and many local businesses and retailers.
The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations.
Traffic signal box art along E. Washington St. was created in the theme of a busable, bikeable, walkable Irvington drawing directly on this transit corridor’s past and future. 36,000 cars and trucks travel E. Washington St daily. It is the National Road and former US40.
Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
Bus Bike Walk Irvington (5) The designs of local artists Morgan Hauth, Shelby Kelley and Andrew Severns were been selected to be featured on traffic signal boxes along Washington Street, transforming Indy’s Eastside. The first project of its kind in Indianapolis, seven traffic signal boxes became a series of public artworks seen by thousands of people daily.
The traffic signal boxes on Washington Street, from Emerson to Edmonson, were painted by volunteers on Saturday, October 20, as part of the Great Indy Cleanup, sponsored by Keep Indianapolis Beautiful, Inc. with support from the Mayor’s office and many local businesses and retailers.
The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations.
Traffic signal box art along E. Washington St. was created in the theme of a busable, bikeable, walkable Irvington drawing directly on this transit corridor’s past and future. 36,000 cars and trucks travel E. Washington St daily. It is the National Road and former US40.
Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
Butterfly Artist Tosca Carranza was commissioned by Near East Area Renewal to paint five traffic signal control boxes along Rural Street, in a series called “I Love My Neighborhood.” This box represents revitalization, as the butterfly is an enduring symbol of change and hope to cultures around the world.
Tosca Carranza is a painter and art educator who lives on Indianapolis’ Near Eastside.
Car Culture (1) In November of 2013, Foundation East participated in a public art project for the design and painting of seven Irvington traffic signal boxes along Washington Street from Kitley to Emerson Ave. This was completed and met with immense community excitement.
Foundation East’s focus is to transform all the remaining Irvington traffic signal light boxes into community public arts canvases. Aside from creating inspiring public works of art in the eastside, these boxes aid in public safety and provide a sense of community pride in Irvington. 2013’s themes center on two things: Car culture and a farming heritage.
The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations.
Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
Car Culture (2) In November of 2013, Foundation East participated in a public art project for the design and painting of seven Irvington traffic signal boxes along Washington Street from Kitley to Emerson Ave. This was completed and met with immense community excitement.
Foundation East’s focus is to transform all the remaining Irvington traffic signal light boxes into community public arts canvases. Aside from creating inspiring public works of art in the eastside, these boxes aid in public safety and provide a sense of community pride in Irvington. 2013’s themes center on two things: Car culture and a farming heritage.
The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations.
Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
Car Culture (3) In November of 2013, Foundation East participated in a public art project for the design and painting of seven Irvington traffic signal boxes along Washington Street from Kitley to Emerson Ave. This was completed and met with immense community excitement.
Foundation East’s focus is to transform all the remaining Irvington traffic signal light boxes into community public arts canvases. Aside from creating inspiring public works of art in the eastside, these boxes aid in public safety and provide a sense of community pride in Irvington. 2013’s themes center on two things: Car culture and a farming heritage.
The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations.
Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
Car Culture (4) In November of 2013, Foundation East participated in a public art project for the design and painting of seven Irvington traffic signal boxes along Washington Street from Kitley to Emerson Ave. This was completed and met with immense community excitement.
Foundation East’s focus is to transform all the remaining Irvington traffic signal light boxes into community public arts canvases. Aside from creating inspiring public works of art in the eastside, these boxes aid in public safety and provide a sense of community pride in Irvington. 2013’s themes center on two things: car culture and farming heritage.
The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations. Designs include one or combination of Irvington’s branding color scheme.
This Car Culture traffic signal control box was done by Indianapolis-based artist Andrew Severns using his signature geometric forms, with a central car image.
Car Culture (5) In November of 2013, Foundation East participated in a public art project for the design and painting of seven Irvington traffic signal boxes along Washington Street from Kitley to Emerson Ave. This was completed and met with immense community excitement.
Foundation East’s focus is to transform all the remaining Irvington traffic signal light boxes into community public arts canvases. Aside from creating inspiring public works of art in the eastside, these boxes aid in public safety and provide a sense of community pride in Irvington. 2013’s themes center on two things: Car culture and a farming heritage.
The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations.
Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
Car Culture (6) In November of 2013, Foundation East participated in a public art project for the design and painting of seven Irvington traffic signal boxes along Washington Street from Kitley to Emerson Ave. This was completed and met with immense community excitement.
Foundation East’s focus is to transform all the remaining Irvington traffic signal light boxes into community public arts canvases. Aside from creating inspiring public works of art in the eastside, these boxes aid in public safety and provide a sense of community pride in Irvington. 2013’s themes center on two things: Car culture and a farming heritage.
The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations.
Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
Crown Hill Neighborhood 1 When designing this box, the artist considered what “community” means to the largely Black Crown Hill neighborhood. He opted to use photographs of residents acting communally: picking up litter, enjoying each other socially, attending meetings to decide as a group what happens in their neighborhood. The result is a vivid portrait of the people and activities that makes a place a neighborhood, and just might turn people’s thinking around who believe that “nothing happens” in Crown Hill.
William Rasdell is a photographer and graphic artist based in Indianapolis. His images examine the ways that ethnic convergence can enrich cultures with foods, religions, languages and the arts, and he focuses on the impact of the African presence throughout the diaspora seeking to understand how these cultural relationships have evolved into contemporary societies. In addition to working in Black neighborhoods in his hometown, he has created pictorials that bear witness to the path of influence and retention in daily life and custom in Uganda, Israel, Zimbabwe, Ghana, Nigeria, South Africa, Cuba, Puerto Rico, Jamaica, Mexico, Barbados, Grenada, Trinidad/Tobago and across the United States.
Crown Hill Neighborhood 2 When designing this box, the artist considered what “community” means to the largely Black Crown Hill neighborhood. He opted to use photographs of residents acting communally: picking up litter, enjoying each other socially, attending meetings to decide as a group what happens in their neighborhood. The result is a vivid portrait of the people and activities that makes a place a neighborhood, and just might turn people’s thinking around who believe that “nothing happens” in Crown Hill.
William Rasdell is a photographer and graphic artist based in Indianapolis. His images examine the ways that ethnic convergence can enrich cultures with foods, religions, languages and the arts, and he focuses on the impact of the African presence throughout the diaspora seeking to understand how these cultural relationships have evolved into contemporary societies. In addition to working in Black neighborhoods in his hometown, he has created pictorials that bear witness to the path of influence and retention in daily life and custom in Uganda, Israel, Zimbabwe, Ghana, Nigeria, South Africa, Cuba, Puerto Rico, Jamaica, Mexico, Barbados, Grenada, Trinidad/Tobago and across the United States.
Dahlia City Although there has been some art added to the town hall area and to Main Street in the Old Town section of Zionsville, Dahlia City is the first utility box to be authorized by the town for a painted mural. The theme, common to all the painted utility boxes in Zionsville, was Dahlia City, a name that Zionsville was known by in the 1930’s when there were two dahlia farms in the area. The gold medal at the 1933 World’s Fair was given to “Zion’s Pride”, a dahlia from one of the farms. A nearby street is also named Dahlia, so the location seemed a good choice for the artist’s rendition of the flower (in golden yellow–the color of the award-winning variety) on a deep blue background. The words “Dahlia City” appear on the west panel facing Zionsville Road.
Cynthia Young is a Zionsville-based painter and the executive director of the Sullivan-Munce Art Center. She received her art training at Ball State University and worked as an interior designer in Indianapolis before moving to Zionsville. Originally a spare-time painter, she participates in art fairs and community arts events.
Every Engine Has a Key The West Indianapolis community (Oliver Street to Raymond, White River to Holt Ave) lies “between the rivers” of Eagle Creek and the White River. It is one of the oldest neighborhoods in Indy, with many West Indy families having lived here for multiple generations. In the spring of 2015, eight traffic signal control boxes, created by professional artists from designs voted on by a panel representing both art experts and the neighborhood residents, were painted as part of a Great Indy Cleanup project. Keep Indianapolis Beautiful’s Great Indy Cleanup program helps community groups organize to combat heavy litter and debris that has accumulated in public spaces such as streets, alleys, greenspaces, and waterways. Some cleanup efforts also include new plantings and community murals, all done by neighborhood volunteers. For more information about the Great Indy Cleanup program, visit http://www.kibi.org/programs/beautification/great-indy-cleanup/
Art teacher Michael Schulbaum coordinated a competition for students at the Key Learning Community, where the box is located, in order to select and refine the design for this artwork. The winning design was by 5th grade student Jalen Washington Cordell, showing a brain on wheels heading down the “Education Highway,” expressing the idea of the brain as an engine that takes you anywhere you want to go, and it only needs to be “turned on”. This design wraps three sides, with the fourth side (facing the street) a combination of several students’ design ideas expressing pride in the Indianapolis Public Schools system. Schulbaum transferred the students’ designs to the box and painted them.
Key Learning Community was a K-12 specialty school, the first in the world to be organized around educating students through theorist Howard Gardner’s “multiple intelligences” concept, until it was closed at the end of the 2015-2016 school year and refocused into a K-8 arts magnet school.
Face the Music The title of this artwork accurately describes the content: faces, and music! Inspired by the rhythm of the human spirit, the artist used a very controlled color palette for maximum graphic impact. He hopes that viewers will feel encouraged to interpret the work for themselves.
William Denton Ray is an artist and graphic designer based in Indianapolis, specializing in murals and commercial art.
Face the Music is one of a series of artworks on traffic signal control boxes commissioned by the City of Fishers to enliven their downtown area.
Farm Heritage (1) In November of 2013, Foundation East participated in a public art project for the design and painting of seven Irvington traffic signal boxes along Washington Street from Kitley to Emerson Ave. This was completed and met with immense community excitement.
Foundation East’s focus is to transform all the remaining Irvington traffic signal light boxes into community public arts canvases. Aside from creating inspiring public works of art in the eastside, these boxes aid in public safety and provide a sense of community pride in Irvington. 2013’s themes center on two things: Car culture and a farming heritage.
The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations.
Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
Farm Heritage (2) In November of 2013, Foundation East participated in a public art project for the design and painting of seven Irvington traffic signal boxes along Washington Street from Kitley to Emerson Ave. This was completed and met with immense community excitement.
Foundation East’s focus is to transform all the remaining Irvington traffic signal light boxes into community public arts canvases. Aside from creating inspiring public works of art in the eastside, these boxes aid in public safety and provide a sense of community pride in Irvington. 2013’s themes center on two things: Car culture and a farming heritage.
The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations.
Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
Farm Heritage (3) In November of 2013, Foundation East participated in a public art project for the design and painting of seven Irvington traffic signal boxes along Washington Street from Kitley to Emerson Ave. This was completed and met with immense community excitement.
Foundation East’s focus is to transform all the remaining Irvington traffic signal light boxes into community public arts canvases. Aside from creating inspiring public works of art in the eastside, these boxes aid in public safety and provide a sense of community pride in Irvington. 2013’s themes center on two things: Car culture and a farming heritage.
The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations.
Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
Farm Heritage (4) In November of 2013, Foundation East participated in a public art project for the design and painting of seven Irvington traffic signal boxes along Washington Street from Kitley to Emerson Ave. This was completed and met with immense community excitement.
Foundation East’s focus is to transform all the remaining Irvington traffic signal light boxes into community public arts canvases. Aside from creating inspiring public works of art in the eastside, these boxes aid in public safety and provide a sense of community pride in Irvington. 2013’s themes center on two things: Car culture and a farming heritage.
The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations.
Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
Farm Heritage (5) In November of 2013, Foundation East participated in a public art project for the design and painting of seven Irvington traffic signal boxes along Washington Street from Kitley to Emerson Ave. This was completed and met with immense community excitement.
Foundation East’s focus is to transform all the remaining Irvington traffic signal light boxes into community public arts canvases. Aside from creating inspiring public works of art in the eastside, these boxes aid in public safety and provide a sense of community pride in Irvington. 2013’s themes center on two things: Car culture and a farming heritage.
The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations.
Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
Farm Heritage (6) In November of 2013, Foundation East participated in a public art project for the design and painting of seven Irvington traffic signal boxes along Washington Street from Kitley to Emerson Ave. This was completed and met with immense community excitement.
Foundation East’s focus is to transform all the remaining Irvington traffic signal light boxes into community public arts canvases. Aside from creating inspiring public works of art in the eastside, these boxes aid in public safety and provide a sense of community pride in Irvington. 2013’s themes center on two things: Car culture and a farming heritage.
The original idea for painting traffic signal boxes came from IMPD Officer Shane Foley, who recommended painting the signal boxes because it leverages current neighborhood crime prevention activities through environmental design. The Irvington Terrace Neighborhood quickly organized the activity by seeking appropriate government permission, fundraising, requesting local donations and announcing a call for artists. Selected artists received prize money donated by local businesses and organizations.
Designs include one or combination of Irvington’s branding color scheme. Pantone colors: PMS 582, 228, 1595, 130, Cool Gray 11, Cool Gray 8.
Flowers The West Indianapolis community (Oliver Street to Raymond, White River to Holt Ave) lies “between the rivers” of Eagle Creek and the White River. It is one of the oldest neighborhoods in Indy, with many West Indy families having lived here for multiple generations. In the spring of 2015, eight traffic signal control boxes, created by professional artists from designs voted on by a panel representing both art experts and the neighborhood residents, were painted as part of a Great Indy Cleanup project. Keep Indianapolis Beautiful’s Great Indy Cleanup program helps community groups organize to combat heavy litter and debris that has accumulated in public spaces such as streets, alleys, greenspaces, and waterways. Some cleanup efforts also include new plantings and community murals, all done by neighborhood volunteers. For more information about the Great Indy Cleanup program, visit http://www.kibi.org/programs/beautification/great-indy-cleanup/
The artist, Olivia Waltz, painted a variety of vibrant flowers on a bold, blue background. She has transformed this once silver traffic signal box into an elevated pseudo-garden that brightens up the northwest corner of Morris and Kappes Street on Indianapolis’ Westside and calls attention to the Mary Rigg Neighborhood Center behind it.
Disclaimer : The Arts Council of Indianapolis provides this database and website as a service to artists, arts organizations, and consumers alike. All information contained within the database and website was provided by the artists or arts organizations. No adjudication or selection process was used to develop this site or the artists and organizations featured. While the Arts Council of Indianapolis makes every effort to present accurate and reliable information on this site, it does not endorse, approve, or certify such information, nor does it guarantee the accuracy, completeness, efficacy, timeliness, or correct sequencing of such information.
