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  • Oasis Archway Pavement Painting
    Oasis Archway Pavement Painting
    Category: Mural
    In October of 2017, Big Car organized a five-spot mural intersection painting effort led by artists for the 2017 Lilly Day of Service. On Conservatory Drive, Emily Gable designed this mural that was painted by volunteers and inspired by the Garfield Park Conservatory. Emily Gable is the owner and operator of a small business called Bootleg Sign Company that hand-paints signs and murals in Indianapolis. Gable is from Peru, Indiana and graduated from Herron School of Art and Design before starting Bootleg Sign Company in 2017.
  • Octopus
    Octopus
    Category: Traffic Signal Box Art
    The West Indianapolis community (Oliver Street to Raymond, White River to Holt Ave) lies “between the rivers” of Eagle Creek and the White River. It is one of the oldest neighborhoods in Indy, with many West Indy families having lived here for multiple generations. In the spring of 2015, eight traffic signal control boxes, created by professional artists from designs voted on by a panel representing both art experts and the neighborhood residents, were painted as part of a Great Indy Cleanup project. Keep Indianapolis Beautiful’s Great Indy Cleanup program helps community groups organize to combat heavy litter and debris that has accumulated in public spaces such as streets, alleys, greenspaces, and waterways. Some cleanup efforts also include new plantings and community murals, all done by neighborhood volunteers. For more information about the Great Indy Cleanup program, visit http://www.kibi.org/programs/beautification/great-indy-cleanup/ Suspended in a sea of blue and teal, a stylized octopus floats with its head and two of its arms extending out of the water towards a red sky. This octopus occupies the northwest corner of Kentucky Avenue and White River Parkway West Drive and was created by Indianapolis artist Tasha Beckwith.
  • Offspring
    Offspring
    Category: Archive; Outdoor Sculpture; Temporary
    Don Gummer: Back Home Again is presented by the Central Indiana Community Foundation in honor of the 100th anniversary of The Indianapolis Foundation and in partnership with the Indianapolis Cultural Trail, Inc. This outdoor exhibition is located on the Indianapolis Cultural Trail and it features eight sculptures by Indianapolis-native, New York-based artist Don Gummer. The artist, Don Gummer was born in Louisville, Kentucky in 1946. When he was seven years old Gummer and his family moved to Indianapolis, Indiana. As Gummer grew up in Indianapolis he attended Ben Davis High School where he demonstrated his artistic talent by winning local awards. Gummer attended Herron School of Art in Indianapolis before moving to Boston, Massachusetts to attend School of the Museum of Fine Arts. From Boston, he went on to Yale University in New Haven, Connecticut, where he completed both his Bachelor of Fine Art and his Masters of Fine Arts. Gummer prefers that each individual bring their own interpretation to Offspring and his other sculptures along the Cultural Trail. Don Gummer: Back Home Again runs from August 31, 2016 to August 7, 2017.
  • Old Northside Gateway
    Old Northside Gateway
    Category: Outdoor Sculpture
    Indianapolis’ Old Northside neighborhood dates back to the mid-19th century and contains the homes of many of Indianapolis’ historic leading citizens.  This two-part sculpture marks its southern boundary at the intersection of Central Avenue and 12th St.  Two carved pillars are placed across Central Avenue, each with bronze tracery at the top that, when seen together, form a broken archway.  The names of well-known former residents are cast in bronze cursive writing and are attached near the top of the pillars. The artwork is the creation of Dale Enochs, a Bloomington-based sculptor who works primarily in Indiana limestone and laser-cut metal.
  • Olive and Her Amazing Cloud Machine
    Olive and Her Amazing Cloud Machine
    Category: Mural
    In a nod to the tradition of sign painting on brick walls, Noblesville-based artist Gabriel Lehman created this whimsical mural inspired by the daughter of the building’s owner.  A facade improvement grant funded the mural, which shows a young girl sitting on a stoop and generating steam from what resembles an oversized teapot.  The steam turns into puffy clouds in the sky as it rises. The new mural replaced a badly faded mural that was created in the early 2000s. Family is important to Lehman, and almost all of his works incorporate children or young people engaged in wholesome, although somewhat fantasy-based, activities. Read more about the mural here.
  • Oliver P. Morton
    Oliver P. Morton
    Category: Historical; Memorial/Monument; Mosaic/Wall Relief; Outdoor Sculpture
    Oliver P. Morton is a public artwork by Austrian artist Rudolph Schwarz, located on the east side of the Indiana Statehouse in Indianapolis, Indiana, at the intersection of North Capitol Avenue and West Market Street. The Oliver P. Morton memorial is composed of three bronze statues and two bronze reliefs, one plaque on the front, and two plaques on the rear, also of bronze. The pedestals on which the statues stand are made of granite. Oliver Perry Morton stands positioned in the center, raised above the other two figures by a full figure’s height. Two Union soldiers flank either side of Morton. The soldiers on the proper left is uniformed and holding a bayonet. The soldier on the proper right is holding a rifle and wearing a sword on his left; this figure is uniformed as well. Below the figures at the base of the pedestals are two flags crossed with olive branches, and there is an oak wreath of leaves and acorns in the center. The reliefs are located on the sides of the soldiers’ pedestals. The relief that faces south depicts Oliver P. Morton giving a speech. The relief that faces north shows him standing in an infirmary tent. On the rear of the memorial are two plaques. The top plaque is located on the pedestal of Morton. It reads: Oliver Perry Morton Born in Wayne Co. Indiana August 4, 1823. Died in Indianapolis November 1, 1877. Aged 54 years 2 months and 25 days. Admitted to the Bar in 1847. Served as Governor of Indiana from January 18, 1861 to March 4, 1867. Served as U.S. Senator from Indiana from March 4, 1867 until his death November 1, 1877. In all ways and at all times the friend of the Union soldier. The friend of the country. The upholder of Abraham Lincoln. The defender of the flag and the Union of the States. Patriot. Statesman. Lover of Liberty. Heroic in heart. Inflexible in purpose and ever to be known in history as The Great War Governor On the plaque below the first on the lower part of the pedestal are the words: The annual meeting held in June, 1904, The Department of Indiana. Grand Army of the Republic. An organization of the honorably discharged soldier and sailors who served in the Army and Navy to preserve the integrity of the Republic of the United States of America, in the Great Civil War from A.D. 1861 to 1865, memorialized the legislature of the State of Indiana to appropriate sufficient money to erect this monument to perpetuate the memory of Oliver Perry Morton The Great War Governor of Indiana during that period. As seen on the memorial label, the memorial was installed in 1907. The work was commissioned by the Indiana General Assembly.[2] The planning of the Morton memorial began in early 1906. On February 9, 1906, the Commission met and designs were presented by Franklin Simmons from Rome, Italy; Hugh A. Price from Chicago, Ill.; and Rudolph Schwarz from Indianapolis, Indiana, for bronze figures 12 feet high and the tablets for $9000. The designs for the pedestals were planned upon contract with John R. Lowe and if accepted, architect fees would be for the same. Plans by Lowe were accepted and after legal notice was given in the newspapers, bids for the pedestals were received on April 10, 1906. The Commission accepted bid of Chas. G. Blake & Co. of Chicago, Illinois of the $7,483 for Barre granite and $10,150 for Westerly granite.[3] Soon after, officers of the state designated the space of the memorial as “Morton Plaza.” The dimensions of the pedestals were then increased, for which the contractors were allowed an additional $935. On June 4, 1906, a contract in the amount of $7,500 was entered into for Schwarz to create the following components of the memorial: the letters of the name “Morton”; the 4.5 x 5 foot tablet that gives a brief history of life and services of Governor Morton; the Grand Army tablet that is two feet six inches by eight feet; and the two bronze statues of soldiers of the Civil War, each ten feet high.[3] Two balustrades were then placed on the north and south ends of Morton Plaza. The Commission again chose Chas. G. Blake & Co. Rudolph Schwarz received another contract to provide and furnish the materials for two bronze bas-reliefs to be placed on the middle columns of the balustrades for $500 apiece. The bas-relief of the south balustrade dedicates a scene to the women of the war. It states “…while some were supplying clothing and hospital supplies, others went down to the very border line of danger to help nurse back to health the sick and wounded, when possible.” The north bas-relief portrays a familiar war scene of the reception of homecoming veterans. The materials for the foundation upon which the pedestals sit is deeply laid solid masonry of limestone and cement. The pedestal itself weighs 32 tons and required 16 horses to move it from the car to the place where it is now. The bronze of the monument weighs approximately 16,000 pounds (7,300 kg), of which 8,000 pounds (3,600 kg) is attributed to just the Morton figure. The bronze is composed of 90% copper, 8% tin, and 2% zinc; the bronze of the balustrades and reliefs has the same composition. Oliver Perry Throck Morton, Morton’s grandson, unveiled the memorial at the age of 8. After the dedication, the only unfinished work was the paving of the plaza. Crushed granite and granite steps were installed soon thereafter at the cost of $1,139.75. The total amount that was spent on the project was $36,544.40. Oliver Perry Morton was the first Indiana native to be governor of Indiana. He was born in Salisbury, Indiana in Wayne County. The family’s name was originally Throckmorton, known by the emigration of Morton’s grandfather from England around the beginning of the Revolutionary War who settled in New Jersey. Oliver’s father was James T. Morton from New Jersey; his mothers maiden name was Sarah Miller. When he was young Oliver worked as a hatter’s apprentice for four years before attending college at Miami University in Ohio. He studied law in Centerville, Indiana and at law school in Cincinnati, Ohio. Morton began his legal career reading law in the office of Judge Newman of Centerville. Morton was originally a Democrat and opposed to the extension of slavery, but he became one of the organizers of the Republican Party. In 1856, after he joined the Republicans, he was one of three delegates from Indiana that attended that party’s organizational convention in Pittsburgh. In 1856 he was nominated by his new party for the position of governor of Indiana.[4] In 1860 he was elected lieutenant governor on the ticket with Henry S. Lane. He became governor when Lane was elected to the United States Senate. Morton was re-elected in 1864 and served until 1867, in which time he was elected to the United States Senate. He was re-elected in 1873 to the Senate. As Senator he worked for the adoption of the Fifteenth Amendment, was involved in the impeachment of Andrew Johnson, and was a trusted advisor of the Republicans in the South. At the national Republican convention in 1876 he received the second-highest number of votes for the presidential nomination.[4] He was considered a leading Radical Republican during his government career. He died on November 1, 1877. Artist Rudolph Schwarz (June 1840 – 14 April 1912), was an Austrian sculptor who emigrated to Indianapolis in December 1897 to help complete the Soldiers’ and Sailors’ Monument in Indianapolis, Indiana. Quoted from http://en.wikipedia.org/wiki/Oliver_P._Morton_(monument)
  • Olympic Wannabees
    Olympic Wannabees
    Category: Outdoor Sculpture
    This sculpture, one of two by the same artist on The Children’s Museum campus, portrays five individual children in various stages of performing a cartwheel–the ultimate expression of a carefree childhood.  According to the artist, the idea for this sculpture evolved as she saw children avidly watching the 1996 Olympics.  “I thought of children playing and competing with each other, trying to ‘be’ Olympic gymnasts,” she said. Although bronze is a very flexible medium, the poses of the children nevertheless posed a technical challenge to make them seem frozen in midair. The sculpture was dedicated “In loving memory of Raymond E Crandall and Susan Elizabeth Crandall 1997.” Several casts of this piece are in collections in other states. Glenna Goodacre (b. 1938) is a nationally-recognized figurative sculptor and the creator of many well-known bronze artworks, portraits, and monuments, including the Vietnam Women’s Memorial in Washington, DC; the Irish Memorial in Philadelphia; the over-life-sized, full-length portrait of Ronald Reagan at his memorial library; and the design for the Sacajawea U.S. dollar coin.  Many of her works exist in multiple casts across the country. She attended Colorado College and the Art Students’ League in New York City, intending to be a painter, but discovered sculpture while she was there. A native of Texas, Goodacre has been an academician of the National Academy of Design since 1994 and a fellow of the National Sculpture Society since 1981. She currently lives in Santa Fe, New Mexico, and retired from sculpting in 2016 after destroying the molds for all her previous works so they could not be reissued after her death.
  • On A Worldly Roll
    On A Worldly Roll
    Category: Outdoor Sculpture
    On a Worldly Roll by Garry Bibbs, made of stainless steel and bronze, welcomes visitors to campus from the west on Hanna Avenue. Garry Bibbs is on the faculty of the University of Kentucky. His work can be seen in numerous public and private collections. Quoted from: www.uindy.edu/arts/on-a-worldly-roll  
  • On The Map
    On The Map
    Category: Mural
    Created by artist Eduardo Mendieta, and situated along Speedway’s historic Main Street, this mural honors the city’s century-long love affair with auto racing. The car depicted in the mural is the Blitzen Benz, and it sits atop a map of Speedway featuring the iconic oval of the Indianapolis Motor Speedway. The child in the upper left hand corner represents the joy of discovering “The Greatest Spectacle in Racing” and finding it here in Indianapolis. The Blitzen (Lightning) Benz was the first car to be purpose-built to break speed records.  It was produced in an edition of 6 vehicles in 1909.  The car appeared in an exhibition run at the first Indy 500 race in 1911, just a month after it broke the land/air/water vehicle speed record of 141.7 miles per hour at Daytona Beach. The mural was one of 46 murals commissioned by the Arts Council of Indianapolis as part of its nationally renowned 46 for XLVI mural initiative.  Read more about the initiative here. Eduardo Mendieta lives in West Palm Beach, Florida, and is a muralist and graphic designer.  His work appears all over South Florida in art fairs, gallery shows, and in public spaces.  Read more about his work here.
  • On the Tip of Our Wings
    On the Tip of Our Wings
    Category: Indoor Sculpture
    This installation was created by Indianapolis-based Urushi artist, Nhat Tran, for the grand opening of the new airport in 2008. The artwork is a contemporary abstract urushi mural intended to awake a wide constellation of feelings. Waiting to pass through security, passengers are given an esthetic pause, an artistic hiatus that they may find soothing. The artwork’s abstraction does not seek to impose any particular interpretation since it only exists for the sake of its own forms. The work consists of 29 lacquered pieces: 27 flat panels and 2 sculptures shaped like elongated but slightly slanted Ds juxtaposed in different directions, and forming a series of localized patterns. Panels are of different sizes, and painted with a series of abstract textured motives that are echoed here and there throughout the work. Each panel is shaped like the rounded end of a simple plane wing. The succession of these wing tips suggests many possible metaphors to the viewers. Some are related to air travel and what it may mean to let ourselves be carried on the powerful wings of man-made aircrafts to circle the globe and transcend our physical limitations. But more deeply the reflection emerges that human beings have wings of their own, and that it is thanks to them that we learn to fly and veer through all the events that affect our lives. The two sculptures, one convex, one concave, provide an element of irregularity and surprise that accentuates the blend of formal and informal rhythms that traverse the entire composition; made of lacquered fiberglass, their perfectly smooth and lustrous surface contrasts with the more textured 2-D pieces. Color tones offer elemental suggestions of earth, water, air, sunlight, and verdure, and convey a cheerful inner spirit. The composition is serene and aims at producing a visual, poetic, quasi-lyrical experience that all viewers, regardless of origin or age, will find some reason to enjoy. Viewers up close will be intrigued by the deep layering of textures, shifting colors, and the eerie luminosity of each panel. Viewers from afar will sense the peculiar appeal of the work’s different sections, and be led to wonder about what makes the composition attractive to them. As we follow ascending and descending drafts and let ourselves course through our existence, we are free to change directions, explore unknown spaces, and visit distant lands. Sometimes we encounter storms and sometimes the sky is clear ahead. Our wings carry us as far as our inner strength and curiosity will allow. Humans are a migratory species, and have learned to fly in multiple formations. We are never alone in our sky, and must learn to share the common space with others who are flying in opposite directions. On the Tip of Our Wings, through its blend of square angles and oriented curvatures, celebrates the harmony of our infinite possibilities. Quoted from www.urushi-artist.com/airport.php
  • On Wheels
    On Wheels
    Category: Outdoor Sculpture
    Three sports-themed sculptures by artist Jorge Blanco grace the roundabouts at Main Street, 116th St., and 126th St. on Hazel Dell Parkway in Carmel.  The powder coated aluminum figures were installed to pay homage to the youth sports taking place in the many nearby athletic fields and green spaces. Kick, Home Run, and On Wheels were all installed in 2017. On Wheels features four cyclists in bright, primary colors racing northbound.  From the profile side, the characters look simple and two dimensional, but from the front and rear, the piece can be seen to be made up of multiple layers of aluminum with spacers adding dimension. Jorge Blanco is a Venezuelan-born sculptor based in Sarasota, Florida. His work, characterized by simple shapes, bright colors, and narrative immediacy, are installed in public and private collections internationally.    
  • Oncology Odyssey
    Oncology Odyssey
    Category: Mural
    Lilly Oncology on Canvas (LOOC) has provided individuals affected by cancer with an opportunity to share their stories through art and narrative. Since its founding in 2004, in partnership with the National Coalition for Cancer Survivorship, thousands of LOOC participants have been inspired to share their journey with countless others. For more information, visit http://www.lillyoncology.com/support-resources/lilly-oncology-on-canvas.html Colors depict a survivor’s odyssey through cancer. White is the innocence of not knowing that a fight to live is in their future. Gray is the angst and somber moments as they might reflect on the diagnosis. Black conjures fear, dread and grim facts as they choose a winning treatment plan. Red depicts fury and anger at the realization that they had to muster the energy to beat cancer. Yellow portrays hope and confidence as their treatment and recovery progressed. Gold is for the precious gift each new day becomes to a survivor.
  • Open Eyes
    Open Eyes
    Category: Outdoor Sculpture
    If you’ve been around, or driven through, the IUPUI campus you may have seen a towering, somewhat whimsical sculpture located in the courtyard at the Glick Eye Institute.  The piece is Open Eyes by Don Gummer, a former Indianapolis resident and Herron School of Art and Design alumnus now living in New York City.  Open Eyes was privately commissioned to honor the Indiana University Department of Ophthalmology and was dedicated at the opening of the Glick Eye Institute in 2011.  It is made from stainless steel and incorporates glass to communicate the range of colors that the human eye can perceive, so it looks best on a sunny day or at night when spotlights make the colors glow. Gummer, a graduate of Ben Davis High School, has two other pieces in Indianapolis:  South Tower, located at Eskenazi Hall (the home of the Herron School of Art) on the IUPUI campus, and Southern Circle, located near the intersection of Meridian and South Sts. He was also commissioned to create a piece for Indiana University’s Bloomington campus in honor of the late Myles Brand, a former president of IU.  All share the signature “Gummer look” of flat ribbons of steel, arranged in parallel series and seemingly defying the forces of gravity.  More about the artwork: http://www.publicartarchive.org/work/open-eyes#date and https://en.wikipedia.org/wiki/Open_Eyes More about the artist: http://www.dongummer.com  
  • Open House
    Open House
    Category: Archive; Outdoor Sculpture; Temporary
    Don Gummer: Back Home Again is presented by the Central Indiana Community Foundation in honor of the 100th anniversary of The Indianapolis Foundation and in partnership with the Indianapolis Cultural Trail, Inc. This outdoor exhibition is located on the Indianapolis Cultural Trail and it features eight sculptures by Indianapolis-native, New York-based artist Don Gummer. The artist, Don Gummer was born in Louisville, Kentucky in 1946. When he was seven years old Gummer and his family moved to Indianapolis, Indiana. As Gummer grew up in Indianapolis he attended Ben Davis High School where he demonstrated his artistic talent by winning local awards. Gummer attended Herron School of Art in Indianapolis before moving to Boston, Massachusetts to attend School of the Museum of Fine Arts. From Boston, he went on to Yale University in New Haven, Connecticut, where he completed both his Bachelor of Fine Art and his Masters of Fine Arts. Gummer prefers that each individual bring their own interpretation to Open House and his other sculptures along the Cultural Trail. Don Gummer: Back Home Again runs from August 31, 2016 to August 7, 2017.
  • OptiPark
    OptiPark
    Category: Mural
    This mural was commissioned by the Optimist Club of Northside Indianapolis as a wayfinding element for Opti-Park, a small park that they own and maintain for the benefit of the neighborhood. The Optimists wanted a design that could function both decoratively and, for those who are looking closely, as signage. The artist, William Denton Ray, used circles, leaf shapes, and 90 & 45 degree angles to keep it an optical abstraction.  He chose a simple 6-color palette of blues, greens and teals to harmonize with the heavily forested land and the nearby White River.
  • Orange Curves
    Orange Curves
    Category: Outdoor Sculpture
    This sculpture is comprised of three curved steel elements that are welded together into a single form. They have been hand painted with orange paint (likely with a primer coat first). There are three mounts that are bolted into a concrete base. There is no signature on the sculpture, and no plaque associated with it. From: http://www.publicartarchive.org/work/orange-curves
  • Orcas Passage
    Orcas Passage
    Category: Mural
    Orca’s Passage was the 74th in the Whaling Wall series of murals. Naturalist painter Wyland began the project in 1981 and painted large outdoor murual depicting whales, orcas, and other sea life in 100 communities throughout the world before the project’s completion in 2008. Wyland painted the Indianapolis mural on the north side of the John Morton-Finney Center for Educational Services, the headquarters of Indianapolis Public Schools.
  • Orchid Garage Mural
    Orchid Garage Mural
    Category: Mural
    A vibrant pink and purple orchid flower pops against a blue and purple geometric background in this garage mural. Artist Lucian Agape was commissioned to paint this mural using his signature bright colors and layered details. Lucian Agape is of Jamaican-Chinese descent, born in Long Beach, California, and currently living and working in Indianapolis. Agape gets inspiration from a variety of sources including pop art, music, and graffiti.
  • Ossip Optometry Mural
    Ossip Optometry Mural
    Category: Mural
    BurgerFuel is a New Zealand-based restaurant chain that advocates for the arts. They have their own resident artist, team of graphic designers, and even run a few of their own arts based programs. To celebrate the opening of their first U.S. location, in Broad Ripple Village, BurgerFuel not only created custom murals for the interior of their store but also created them throughout the Broad Ripple community. Haser’s final stop while in Broad Ripple Village was the Ossip Optometry building where he was once again given creative freedom. He again, responded to the space and tied the piece back to the space. Haser is BurgerFuel’s resident artist and head of their “Creative, Sweet” arts program. He works as part of BurgerFuel’s graphic design team at their headquarters and travels the world to create pieces specifically for BurgerFuel, as well as creating pieces of his own with his crew, TMD.
  • Our Children: Line+Form Art Center
    Our Children: Line+Form Art Center
    Category: Mural
    This vibrant mural on the north wall of Line + Form Art Center is the artist’s vision of community and unity.  The mural shows children of various skin colors and ethnicities playing and engaging in activities together.  The bright colors create a positive, light-hearted, and playful energy.  The artist hopes that in creating the mural, he has successfully attracted families to the Art Center’s activities. The mural was commissioned by the Art Center from Avon, IN-based artist Israel Solomon, whose work is characterized by brilliant color and geometric shapes. He mixes vibrant colors with shape and pattern to create rhythm within his paintings.  Israel works to distribute colors evenly through the canvas in order to create a sense of balance within each piece.  His goal is to create a color pulse and rhythm that moves the viewer’s eye through the painting.  With his chosen subject matter, his goal is to frame a positive outlook on daily life without ignoring sometimes harsh realities. Solomon has exhibited his paintings at the Indianapolis Artsgarden, the Garfield Park Art Center, Indiana Black Expo, and KIPP Indy College Prep Middle School, where he teaches art and design. He is currently pursuing mural work, easel paintings, and illustration.
  • Our Global Connections
    Our Global Connections
    Category: Mural
    This participatory mural, located in the front lobby of the school building, was created to represent the international focus of the school. All 505 students, ranging from Kindergarten to grade 5, were given the opportunity to add to the mural and work directly with the artist.  Chitra started by painting the base, then each student was allotted a portion to paint or stick collage material to represent icons from different parts of the world. After all students had contributed, Chitra worked to unify the painting in her signature textural abstract style.The final piece measures 13.8 feet wide and 4 feet high. It was made possible by a grant to the school by the Washington Township School Foundation and was completed on April 5, 2008. Chitra Ramanathan grew up in India and studied art at the University of Illinois/Champaign-Urbana. Her abstract paintings are frequently created in expansive scale or as multi-paneled works, and visually portray happiness and joy. They have been frequently displayed in private as well as public venues including courthouses, hotels, and prominent solo and group exhibitions. Numerous originals have been acquired by private and business clients, auctions as well as commissioned large-scale paintings and series. Once an Indianapolis resident, she currently lives in Florida.
  • Our Waterways
    Our Waterways
    Category: Mural
    Our Waterways is a tribute to nearby Fall Creek and the rich and varied life that it sustains.  Blue herons, banded water snakes, and dragonflies are combined with abstracted wave and sun patterns and a kayak-and-paddle motif to create appreciation in viewers of the valuable asset that runs literally through their backyards. The waterway is an important part of the ecosystem we all share, and a reminder that in this part of Indiana, we are all in a watershed. Christina Hollering is an Indianapolis-based artist, inspired in equal measure by science fiction and the natural world. In her work she offers the viewer fantastical abstracted landscapes based on semi-recognizable objects and images, in homage to the transcendental moments in life when the ordinary suddenly becomes something more.  Although most of her work is elaborately cut paper, this was her first painted mural. Our Waterways was created through a partnership between Jiffy Lube of Indiana and the Arts Council of Indianapolis. The partnership is an opportunity to showcase local artists, beautify commercial corridors with original public art murals, and encourage viewers through positive images while expressing the goals of Jiffy Lube’s programming: Growing People Through Work.
  • Out of Many, One
    Out of Many, One
    Category: Mural
    Out of Many, One expresses the beauty and value of every person, no matter their age, status, or situation in life.  It is a portrait of the Lincoln Center community. The mural was created in collaboration with Marian University’s teen service day during their annual mission week in summer 2017.  The Marion University teens and youth “at risk” from the surrounding neighborhood traced each others’ silhouettes, and then filled in the background according to a pre-planned set of imagery.  Interestingly, the plan “fell apart” as the mural execution moved from right to left, with the community painters using their own creativity and ideas to express their joy and spontaneity. True to The Lincoln Center’s philosophy, everyone painting the mural had something of value to add to the collective effort and everyone was able to learn from the project.  The result is more than any one person could have accomplished alone. Bethany Friesen, the assistant director of The Lincoln Center, conceived the mural’s design and working method. The Lincoln Center is a project of the faith-based organization Dathouse, and functions as a community gathering place and after-school youth ministry for residents of the Bates Hendricks neighborhood.  Lincoln Lane Coffee Shop, in the same building as The Lincoln Center, is a conversation facilitator and fundraising effort for The Lincoln Center.
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    Disclaimer: The Arts Council of Indianapolis provides this database and website as a service to artists, arts organizations, and consumers alike. All information contained within the database and website was provided by the artists or arts organizations. No adjudication or selection process was used to develop this site or the artists and organizations featured. While the Arts Council of Indianapolis makes every effort to present accurate and reliable information on this site, it does not endorse, approve, or certify such information, nor does it guarantee the accuracy, completeness, efficacy, timeliness, or correct sequencing of such information.